4 posts tagged “trance”
As usual, if you're subscribed to our show via podcast.weheartmusic.com through the RSS Feed, no need to change anything.
However, if you prefer the segments broken down, you can update your podcatcher to gcast.com through the feed (although if you go the main page, you're presented with a variety of options, including email alerts). Personally, I prefer the really long shows, but now you have an alternative. Plus, I think gcast's server's a lot faster in downloading the MP3 files. This week's theme seems to be multiple guests on the line, which is a nice change of pace because I'm so used to just talking one-on-one on the phone. Usually with multiple cell phones involved, the audio is terrible - but thankfully through the magic of "noise removal" and normalization the audio on these recording sessions actually sounded really good. The audio for Darkroom was especially AMAZING, due to their professional microphones (the same ones they use for recording music on their studio) and fast internet connection.
PART ONE: GLADSHOT
Download Segment (18 mins)
gladshot.com ♥ myspace.com/gladshot
Gladshot is from New York. We spoke to Mike Blaxill and Debbie Andrews regarding their album Burn Up & Shine. You can buy the album in various methods on their website via iTunes, etc.
After hearing the recorded interview on edit, I didn't realize that Mike was sick!
They will be appearing live at Fontana’s in New York on 12/03/2008.
We talked about:
- How Mike met Debbie (stalking apparently works)
- Gladshot's non-history name
- Burn Up & Shine compared to their previous two albums
- Cover art, based on Simplicity Patterns
- Guest musicians pitching in to help play on the album
- Practicing and playing around in New York
- My misunderstanding of "1961"
- "Fabulous Friends" video and single. The story behind the song--it's in reference some famous fashion designer and her entourage.
- They wanted to say "hi" to Minnesota's The Wars of 1812 (unfortunately it didn't fit anywhere on the interview, so I threw it as a bonus outtake at the end).
PART TWO: DARKROOM
Download Segment (34 mins)
darkroomtheband.net ♥ myspace.com/darkroomtheband
We previously mentioned Darkroom and I was more than happy to have them back on to talk about Some of These Numbers Mean Something.
I actually didn't think this interview was actually going to happen because an hour prior to our scheduled session, I noticed I didn't have any contact information for the band (e.g. their skype ID or telephone numbers). I was a little unprepared for the whole thing, but I quickly realized I actually didn't even need to ask anything as Michael Bearpark and Os carried on like professional interviewees and volunteered some great answers.
The interview actually ran a little too long, but is well worth a listen:
- "Darkroom" is a common name, is this a concern
- Their influences from the early days (electronica); apparently they had a standard singer/guitarist, but their singer left the band after the second album.
- The current project is Darkroom, a collaboration between Mike and Os - a mostly ambient, atmospheric sound.
- Modern recording technology
- bringing back the gated snare
- The Concorde airplane on the cover art
- "The Valley Of Ten Thousand Smokes"
- The name and its significance for the album title Some of These Numbers Mean Something
PART THREE: GOOD NIGHT, STATES
Download Segment (19 mins)
goodnightstates.com ♥ myspace.com/goodnightstates
This was a great experience: five cell phones, one call! I think that this was a first on W♥M Radio (to have that many people on conference).
I thought I would get confused about who was who but it was easy to identify who was doing the talking. Thank you to Megan for making this happen, Steve, Joe, Trevor and Dan.
At one point, I thought one of the band members got pulled over by the police! Although I'm glad that didn't happen, part of me thinks that would make exciting radio, don't you think?
- Last night's show at The Fire in Philadelphia
- Joe and his Lap Steel
- Recording two songs per month's experiment and pricing structure.
- "The Odd and the Even"
- the two "Not Come Around" songs
- Being on Spin.com
- "The Family Dark"
![]()
Links: www.weheartmusic.com
podcast.weheartmusic.com
news.weheartmusic.com
Darkroom is an ambient/electronica group comprised of Michael Bearpark (guitar) and Andrew "Os" Ostler (keyboards and loops). They describe their sound as a cross between freeform jazz and Fripp/Eno-style ambient looping. The brief for Some of These Numbers Mean Something (sometimes abbreviated SOFTMS), released last October 10th, describes the album as "guitar under a microscope." The press release defines it further as a combination 70s space rock, 80s Sheffield electronica, 60s guitar instrumentals and 90s post rock. The 70s and 60s descriptions seemed quite apt for the opening track, "The Valley Of Ten Thousand Smokes", which sounded quite psychedelic and dream-like. Continuing on, the release states:
Mixing classic synthesizer & guitar tones with contemporary post-production, this album combines improvisation with carefully crafted and layered arrangement, and rewards repeated listening.
Seems to be a fair statement. The guitar licks throughout the album have a very old-school, organic feel to them, although the electronica tones sound more contemporary much of the time. Either way, it does remind me slightly of music when "classic" rockers played synthesizers with much less shame and Brian Eno was still ahead of his time. Moreover, Improvizone, which describes itself as "recurring live music evening of electronic/ambient/chillout beats and soundscapes by people with amplified instruments and bits and pieces of technology", in which Darkroom performs from place to place, goes further. "If the first thing that surprised me was how composed the music is on this album, the second was what Os did with the drums," wrote Andrew Booker (who has also performed with them) on the Improvizone site. It definitely sounds like the two really strive to keep their recordings as close to their live performances without the need for heavy editing.
When not working with Darkroom, Os runs a site called Expert Sleepers, where he makes music software for Mac OS and Windows, some of which was used for SOFTMS.
You can pick up Some of These Numbers Mean Something through burningshed.com or itunes
Links: darkroomtheband.net
myspace.com/darkroomtheband
last.fm/music/Darkroom
The Volume CD series is probably best described as a magazine with a CD soundtrack. They were published from September 1991 to January 1997, ending at a special 2-disc Volume 17. Since they are published in the UK, it was generally really expensive to get them on import (it's not uncommon to find them new at $20 to $30). What makes them special (besides the cool booklet feature), is that the tracks are usually demos, alternate version, or remixes, exclusively on Volume.
Although the series started off as mostly British indie rock, it was clear that music in England had started to branch off to two distinctive sounds: Britpop and Trance/Techno dance. So Trance Europe Express was made in September 1993. It was so successful, it was followed up by three sequels, plus Trance Atlantic, TEXTure (remixes compilation), and Wasted.
I was surprised to find Wasted at Amoeba for $2.95. This is a two-disc (30 songs) that was kind of the techno answer to their Britpop compilation, Sharks Patrol These Waters.
This song I have chosen is Tricky's "You Don't" (sung by Martine). It originally appeared in Volume 10.
Trivia: Tricky appeared as a henchman to Gary Oldman's character in the movie "The Fifth Element" (1997).
I've never seen Hamam (aka Steam: The Turkish Bath). Based on the box info and suggestive photo, my bff rented it. He had assumed that it was a sleaze film. To his great disappointment, it was not. And, he told me aaaaaaaall about it.
A couple of years later, while on a Middle-Eastern-influenced electronica hunt, I discovered its excellent soundtrack (or, rather, its excellent couple of songs, as most are either short scene pieces or variations of the main theme). It was composed by Genoese duo Trancendental and features a number of guest musicians and vocalists.
This version of the main theme was remixed by Trancendental. The lyrics were written by Ferzan Özpetek, Hamam's director, and sung by Rosie Wiederkehr.
Cristina, cable-free and slowly melting
)
/