3 posts tagged “the jayhawks”
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Soul Asylum at OLL Blast!, Mound, Minnesota (05/02/09) ♥ photo by Kate Tour Dates |
Remember when rock bands had long hair and wore flannel for comfort, not irony, and remember when they’d stumble around doing crazy things like PLAYING GUITARS WITH BEER BOTTLES and SPRINTING FROM ONE END OF THE STAGE TO THE OTHER? Fuck the 80s revival, the 90s was obviously a superior decade. Allow me to list the evidence: fashion-stagnant icons (“grunge”), Winona Ryder’s snatch (been there, done that), glorified nasal tones, and, most importantly, a general dismissal of happiness in favor of talking about doing important things while doing nothing (see “Reality Bites” for reference).
On Saturday, Our Lady of the Lake Church hosted The Greatest Band Ever…to Come out of Minnesota between the Years of 1992 and 1995. That’s right, mofos, I’m talking about Soul Asylum. This band not only fulfills every 90s era requisite, as listed above*, but as a bonus singer Dave Pirner still appears to be living in the 90s, as confirmed by his torn jeans and Aquaman t-shirt. It was—and I’m being completely sincere—an amazing night.
The Honeydogs at OLL Blast!, Mound, Minnesota (05/02/09) ♥ photo by Kate |
The show opened with another local favorite, the Honeydogs, who brought horns for the occasion. Like many bands of a certain age and ilk, the Honeydogs are best heard live. As a studio group, their music is straightforward mature rock with an unusual lyrical edge over similar acts (early song themes include race relations and cultural alienation). Fussy twenty-somethings may not appreciate the band’s tame anthemic style or the crowd draw of mostly L.L Bean-clad professionals, to which I say “fair enough, but how many mid-90s bands can lure hundreds of fans to Mound, Minnesota (population 9,435, birthplace of Kevin Sorbo) and pull off a slim jean designed for men half their ages?” (The answer is: at least two.) I should also mention that the quote of the night goes to Adam Levy who charmed the (presumably conservative) audience with a few deliberate “support your troops” cheers:
Levy: (after informing us that his once-teenage son had intended to enlist) “By the way, my son never went to Iraq. He discovered mushrooms instead.”
I think you know you’ve “made it,” or in Soul Asylum’s case, “made it, lost it, and re-made it,” when you have a man whose sole responsibility is to hand you your guitar (or in Soul Asylum’s case, physically position the guitar in your arms). Dave Pirner has (re)made it. Another testament to your lasting fame is the number of women available to carry your child (at least one; she knocked me in the head while frantically waving her arms in what I determined to be code for “please infiltrate me with your love tool”). Dave Pirner still has it. Regardless of the holy location, Soul Asylum rocked the Devil’s music in a hard way, pulling out all the stops; never have I seen middle-aged men attempt—and almost succeed at—sweaty, dated stage acrobatics like Pirner’s hip gyrations (still sexy) and Dan Murphy’s awkward guitar slide. At one point I turned to my friend and said “I feel as though I’m having a childhood experience that I never actually had” (this was likely during “Misery”). And yes, I know what you’re wondering: they still play “Runaway Train.” In fact, despite years of heavy substance intake, Pirner’s voice sounded pretty good. He looked pretty good too; moving about in a youthful manner, as I mentioned earlier, as well as telling some jokes, smiling, acting gracious and friendly…it seems that the bratty rock star grew up.
The band played a full set plus encore, where Kraig Johnson, formerly of the Jayhawks, joined in for a few crowd-pleasing covers (“My Generation,” “Should I Stay or Should I Go”). Johnson made a hasty exit after some trashy bitch threw a plastic beer cup at him (don’t worry, Tommy Stinson was ready with a hug**) and the show concluded with Pirner inviting his roadies onstage to play a few notes and later to pack up the instruments.
I have no idea if Soul Asylum are touring. Their website hasn’t been updated since 2008, but feel free to dream. The Honeydogs are a bit more prolific, with local shows later this summer (go HERE or HERE for more information).
UPDATE: Soul Asylum has a handful of upcoming shows, as per their Myspace.
* Dave Pirner had a blink-and-you’ll-miss-it cameo in “Reality Bites”
** Stinson (The Replacements) joins the band on bass and Michael Bland (Prince) replaces former drummer Karl Mueller, who passed away in 2005.
05/04/2009 20:52:02 ♥ lara (
/lara206.vox.com) ♥ soulasylum.com ♥ myspace.com/soulasylumofficial
Most people didn't show up at the 400 Bar until 9:30 pm, so they probably missed the two opening acts:
Michael Morris (Falcon Heights, Minnesota) lists a slew of session musicians on his myspace page, but last night was only him and the mandolin player (which I have to say is a very interesting-looking instrument). They were very folk (singer/songerwriter) and seems a little nervous on stage.
McCarthy Trenching is from Omaha, Nebraska. They are normally a full band with drums and bass, but they were both out sick and couldn't make it to the show. The most interesting to note is that Dan McCarthy used to play with Bright Eyes [W♥M], but their sound is more Americana/Country.
400 BAR
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I thought the there was a really good turn out for this show. I would have to say that over 90% of these were Jayhawks fans, so they were a little bit older (considering that the Jayhawks were probably at their prime 20 years ago.)
After "Salvation Blues", the moment everyone was waiting for: Gary Louris came on stage. I think quite possibly this is as close as anyone was going to get to a Jayhawks reunion.
There was a moment when the two singers sang different lines, and it doesn't matter because they were having a great time and were laughing at the mistake.
They added a second violinist on stage for "Humming Bird" and he stayed on for the remainder of the set (I wish I could remember his name).
They did the standard encore, but Olson was forced to come back on stage to do a second final encore doing a solo piano song, "My One Book Philosophy" (which is not listed on the Set List).
By the way, earlier that day, Mark Olson did a live in-store at the Electric Fetus, which I've included a (badly-taken) photograph of him signing.
Also, here are some extra information on the new album:
- The "book" format for Mark Olson's The Salvation Blues, complete with fake dust jacket, is limited to, what I'm told, 15,000. After they sell out, only a standard digipak version will be available. It was designed by David Gorman who won a Grammy for the Beg, Scream & Shout: The Big 'Ol Box Of '60s Soul collection in 1998 for his excellent design.
- There is a wonderful article in The Star Tribune on the front page of the entertainment section that helped boosted attendance at the show last night. Includes an interesting tidbit: Olson considered dropping out of the music business and even enrolled in paramedic school before recording his new album.
Special thanks to Shawnté at Hacktone.
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August 19, 2007 11:25 AM
vu
my♥posts
vu@weheartmusic.com
www.myspace.com/markolsonmusic
Mark Olson is the singer and founding member of The Jayhawks, a band that started in Minnesota in 1985. He's on a really long tour and is playing at the 400 Bar in a few days. This tour is to support his new solo album, The Salvation Blues, which I have to say that the packaging looks really cool in the stores.
The Jayhawks broke up in 2004, but Gary Louris (guitars) and Olson got back together to do a tour last year. Seems the two are still friends and occasionally work together (in fact, Louris, is co-writer on three songs on Olson's solo album).
I listened to this song, "Clifton Bridge" and it sounds very Ron Sexsmith to me. It contains a very catchy line: "Some people came here to die, but we came here to live". At first I thought people were committing suicide by jumping off the bridge, but listening to it again, I think he's saying that some people came to Clifton Bridge to retire.
If you were wondering about Clifton Bridge, it's the most distinctive landmark in Bristol, England.
Anyway, I'm listing only his concert dates. I have left off all the promotional in-stores/public performances to save a bit of room. You can probably visit his myspace for all the detailed tour dates.
On Tour
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August 16, 2007 12:01 AM
vu
my♥posts
vu@weheartmusic.com
www.myspace.com/markolsonmusic



