83 posts tagged “sweden”

I've previously mentioned that I came across Anna Ternheim mostly because of my obsession with Swedish pop music. Ternheim's name was attached to another Swedish musician, El Perro Del Mar, who did a brief tour throughout the US a few years ago.

To catch everyone up on this singer/songwriter, she quietly debut her album Somebody Outside in 2004 and was recognized as "Best Newcomer" on the Swedish Grammy and P3 Guld award. For Separation Road won "Best Female Artist" and "Best Lyricist" after two other nominations for the Grammy. So clearly, she was well-established in her hometown.

Unfortunately, repackaging her US album Halfway to Fivepoints with the best bits from her two albums, released last year was a good introduction - but it didn't exactly set the US on fire.

I hope all that will change with producer Bjorn Yttling (of PB&J) on her side for Leaving on a mayday (US release August 11^th on Verve Forecast), will change all that. In fact, it already won Best Female Artist" and "Album of the Year" in her home town.

I felt, based on the two US albums is that Yttling understand that Ternheim has a beautiful voice. No vocal trickery (goodbye, autotune) her voice comes through piercingly clear. Any effort to bring in orchestral seems to be met with it being only used in background arrangements. Check out her single, "What Have I Done", which was recently remixed by El Perro Del Mar, it shows off both Yttling's organization around Ternheim's angelic vocals.

Lyrically, I feel that Ternheim seems to write a lot about running away, unfamiliar locations, being hurt or "damaged", to yearning for unobtainable desires. Very personal lyrics, and I'm curious to see how that is interpreted when she plays some these songs live, particularly on my favorite track, "Black Sunday Afternoon". Hopefully, I'll get a chance to see that when she comes here in Minneapolis on October 9^th with Loney Dear* and Asobi Seksu).

Leaving on a mayday is out now, you can find it at the usual places, amazon or itunes.

* PS, I have for ages thought that name was "Lonely Dear", until I was schooled a few months ago.

As expected, a pretty quiet evening at the Beat Coffee House in Minneapolis, with an all-star cast of women-singers and songwriters.

Starting it all off is Aria Souder, who started off by herself and then gaining a cellist, then by the time "The Experience" was played, she gained herself a drummer (who incidentally was "working" at the Beat). She started off quiet, but ended loud... before going back to her solo self on the last song.  She seems quite happy on stage and I get the impression that she's been around the stage and the Beat for a while now.

The Dirty Darlings brought a much needed upbeat energy to the bill. They also brought friends and families, who may have been in book clubs and math leagues. The Darlings sounds very garagey and definitely twee-ish. While they may be a little young, they certainly have an ear for great indiepop melodies and it should be interesting to see how these BFFs may evolve as a band.

The highlight of their set is their cover of Lykke Li's "Dance Dance Dance". It's too cute when Bri introduced the song: "It's by Lykke Li. She's Swedish. Er..." (as if no one's heard of her... as you know she's on my top 5 for 2008). Their version is definitely more fun and 'dance' and less tribal.

With just her amp and guitar, Holly Newsom did a series of "short songs". She seems to have a lot of songs. Possibly because she's normally in a band called Zoo Animals? I'm assuming she also writes and sings for this band? If not, well I think she should be. She has a very interesting way of singing and talking. Like a lazy southern sound.

Sydney Wayser ♥ the Beat, Minneapolis (9/16/09) Bella Koshka♥Beat, Minneapolis (9/16/09)

Sydney Wayser's setup was quite a change from the minimalistic Newsom. We were wondering about all the fancy mics and recording equipment, but it all made sense when she tells us that if you give her our email address, she will send out information on how to download the recording of this live show.

The prospect is kind of neat: you can re-live Wayser's sunburnt or her endorsing of the $10 Indian food buffet. I guess food is not that inexpensive in New York (although when I was there, I had the best food from Indian to Egypt to Italian, since NY is a mashpot of ethnic cultures.)

Bella Koshka sounds like a very melodic European gypsy gothic music, with a bit of triphop thrown in! I think most of their set is from their 2008 debut album, Slow Dancing on the Ocean Floor, and every song heavily relies on Hilary Davis's violins and backing track. This proved to be a problem towards the end, when they had some minor difficulties with their background music not coming through.

Check out this video of Bella from last night, from minnscene.com:

Bella Koshka - "Matinee" at the Beat Coffeehouse July 16th

I noticed they're playing with UltraChorus at the Nomad World Pub in a few weeks (Lara, who was at last night's show also reviewed UltraChorus)... so that upcoming show should be interesting.

You can pick up Slow Dancing on the Ocean Floor at amazon.

ED HARCOURT
edharcourt.com ♥ myspace ♥ twitter

Ed Harcourt is nothing short of amazing when he's playing live, possibly due to his many years of opening up for REM, Wilco, Beth Orton, Supergrass, etc. An amazing multi-instrumentalist, he mostly relies on his piano and strong vocals.

Recently, he composed the score for the "Donnie Darko" sequel S Darko, which I gave it a good review... despite the critics panning the movie. Russian Roulette EP is the latest release, around or after sxsw.

Like many of his previous songs, these songs on the EP tells little stories. I think sometime his personal life shows through in these songs, for instance the musical roller coaster "Caterpillar" reflects the singer's emotions of highs & lows when his newborn daughter Roxy was placed in an incubator.

It's the first song I've written about her. She was a little ill and we waited for her in the hospital for the chrysalis so we could take her home.

-- Ed Harcourt

These are great piano songs, they sometime sound a bit like old fashion television theme songs (accessible to anyone that hears it). There is one mountain folky-ish song called "Creep Out Of The Woodwork", which may be because of the country-sounding intro.

My favorite is "Sour Milk, Motheaten Silk", whose music was inspired by "Cypress Hill and Japanese children's shows". The violins towards the end by his wife, Gita, added a nice touch to the song.

You can get Russian Roulette EP from Dovecote Records, where you can also purchase his last album, The Beautiful Lie. Although it may sound gimmicky, you can get the EP via USB in the shape of a bullet. It's cool!

Harcourt will next appear in London at Standon Calling on August 2^nd.

VERISMO verismetal.com ♥ myspace Verismo - Failure 1 comment Verismo is a New York-based thrash metal trio, consisting of Stephan (vocals/guitars), Vinny (bass) and Tamas (drums). What I thought was funny is that they puke at the "throes of indie bands, experimental rock outfits, and techno-infused acts continue to battle it out for recognition in the highly-competitive New York City music scene" - all too true regarding New York's indie scene. Well metal's still huge all over the world, but it's a question of taste... and personally it's not my cup of tea. But if you like a bit of a harder (but not ear-punishing as some metal bands I've heard) guitar-noodling of Verismo, you can download their latest EP Greed for (ironically) free, if you sign up on their mailing list: FREE - "GREED" EP Friday, July 10, 2009 We want you to have it, listen to it, import it to your iPod, share it among your friends...etc. Remember a full length coming out at the end of this year! Get the EP absolutely free by signing up to our mailing list, 2 options: - Join our mailing list thru our myspace profile. - Come to www.verismetal.com and click on Mailing List.		THE RADIO DEPT. theradiodept.com ♥ myspace ♥ twitter The Radio Dept. - David The Radio Dept. - Deliverance 5 comments From Sweden and our favorite Swedish label, Labrador comes The Radio Dept.'s David EP, released sometime in late June. We've previously mentioned Radio Dept. before and Randy describes This Past Week as: "it's shoegazey, melancholy, a bit subdued, but also lush and really well-layered between the vocals, guitar, keyboard, samples, and drum machine." I think anytime I read layer and drum machines, I just think of lo-fi, but they aren't. They're definitely dreamy in some chases. The single (4 tracks) are a quick listen. The songs are easy-on-the-ears, a little too relaxing with the mostly-instrumental "The Idle Urban Contemporaries". Obviously the main and title track "David" is the best among the songs. However, I didn't particularly care for the Rice Twins remix of "David", which is too jumpy and that use of vocal autotune drives me nuts, in my opinion. It could've been an interesting song if you haven't heard the original mix. But then again, I've mentioned before that I wasn't keen on remixes either. David EP is available now from Labrador.
BRAIN CHILDREN myspace.com Brain Children - Guts The children are Mikey Young and Max Kohane, based out of Victoria, Australia, who spent their years as punks and releasing DIY punk records (under such acts as Eddy Current Suppression Ring and Agents of Abhorrence). A lightning bolt must've hit the both of them as they are drinking their "Fosters" and they became a fishnet-wearing disco superhero duo called Brain Children, complete with the red Brainsmobile. They've just released a self-titled CD/12" and based on the six tracks, it's pretty much what you would expect out of a disco dance/synth band... ultimately sounding like they're from the 80s. There's definitely some bassy funk elements, especially on the "Guts", which I think there are actual girls-vocals on it. Either way, if you like what you heard, check out more at their myspace. It's easy for Australians to order the Brain Children EP directly from their record label Stained Circles (THEY SELL TAPES! TAPES!!! It's like 1986 again). Outside of ozland, you can only order 7" only, and you must use paypal.		GALA galasound.com ♥ myspace ♥ twitter Gala - Freed From Desire The Un-Remix Italian pop singer, Gala Rizzatto, or simply known as Gala, gained a bit of fame over the UK (appearing on Top of the Pops), as well as playing with Janet Jackson and U2, quite a feat. Not really sure what happened, but she moved to New York, leaving her UK record label behind. Her latest release is an EP called Tough Love. This release is really polished, a very professional produced little six-track. For the most part, I love pop music, and since Gala's background is from Italy, she certainly knows her eurodisco music. If you don't like eurodisco, then turn away now, but if you dig Sophie Ellis-Bextor or Kyle Minogue, then you'll love Gala. Pretty soon, you'll find youself dancing uncontrollably to "Freed From Desire The Un-Remix" and "DKOL (Different Kind Of Love)". Watch out for that distinctive yip-yelp she does on "Tough Love". I see that she'll be heading over to Moscow for a live show at the Forbes Club on September 18th. You can follow her on Twitter, which she will occasional take some pictures on her walkabouts.

In the rose-colored world of indie pop, where the legends of Amelia Fletcher, Pam Berry, and Rose Melberg loom large, it’s easy for any girl with a pretty voice, guitar, and a pixie haircut to get ahead. The four girls behind Liechtenstein have all of the above, but on their debut album, Survival Strategies in a Modern World, they add their own distinct take on the tried and true shambling twee record.

Liechtenstein’s influences are clearly palpable within each song. The fuzzy guitars are straight out of a Black Tambourine EP, while the schoolgirl vocals could easily fit in a Softies track. But upon further listens, Liechtenstein set themselves apart with layered harmonies, foreboding lyrics, and a darker edge that may scare away the more fragile pop fans. Opening track, “All At Once” combines moody melodies with a thumping bassline that your lame uncle would probably describe as “funky.” The song immediately lets listeners know that isn’t your typical sunny pop album.

Sure, there are songs about cats and flowers, but the band has a knack for infusing even the most infectious songs with a gloomy undertone. The air of mystery might have something to do with my inability to understand most of the lyrics. On the uplifting “Postcard,” I can make out bits and pieces about running away and not leaving a note but all attempts at interpretation are lost when a tide of sugary harmonies comes crashing in. It’s not much, but I get the impression that the song isn’t just about not leaving the cat on the stove.

Liechtenstein is perfectly capable of writing the catchy, upbeat tunes, as seen in “Postcard” and “Roses in the Park,” but it’s on the slightly darker songs where they set themselves apart from the numerous bands they seem to be paying tribute to. The sense of urgency in tracks like “Reflections” and “Sophistication” provides a nice change from the overly cutesy landscape of today’s pop. The more mellow songs also offer an interesting contrast to the girls’ deceptively heavenly harmonies. It’s an added bonus to songs like “By Staying Here (We Will Slowly Disappear),” where, combined with the jangly guitars, morose lyrics, and handclaps, it is basically twee kryptonite.

In many ways, Liechtenstein don’t stray too far away from the typical indie pop formula, but they do tweak it a bit to produce an album that is both sweet and sour in all the right places. If you own at least seven cardigans or you’re just a sucker for anything Swedish, chances are, Liechtenstein is your dream band. But even if you’re a testosterone-fueled alpha-male, it’s pretty difficult to resist their charms.

Hey guys, I just got back from a vacation to the North Shores for the Memorial weekend holiday. I have been up there several times, mostly for hiking purposes. This time around, we spent a chunk of the day in Duluth, which has this small touristy section (exit 256B), which may turn around that my opinion that Duluth has nothing to offer (other than the band Low and Bob Dylan).

Anyway, although fun and exciting, I'm an old man and will be recovering from my trip - so I actually have no reviews prepared. So, you know what that means? News and gossips!

KATE MOSS TO WRITE NOVEL
Whoa, supermodel Kate Moss is literate? Well, she won't be doing all the writing, she's hiring Louise Wener (ex singer/songwriter of my favorite band Sleeper) as ghost writer. All this was first reported by the "highly reputable" the Sun.

As soon as the story was published in late Monday (May 25, 2009 at 6:17 PM), the story was picked up by a ton of "newspapers", including the NME, which Christopher said was "the musical equivalent of the sun".

Talking to Jon Stewart (Sleeper's guitarist), he basically could not confirm (or deny!) this, so in my opinion this gossip sounds legit.

So where are they now? Last month, Q Magazine, ran a story on Sleeper - lots of new details, including the elusive Diid Osman. I knew a lot of post-Sleeper split stories, but I'm not sure if it was public knowledge.

In addition to Stewart's jokingly regretful cover of Blondie's "Atomic" and working at the Brighton Institute of Music, his latest project is as the musical supervisor for the movie Telstar the Movie.

THE PIRATE BAY THEME SONG
Swedish "pirates" from the Pirate Bay was recently found guilty for, er, piracy and plunder. Although they have appealed the case, I don't think it will end in their favor.

Anyway, I got news from respected Swedish record label, Hybrism that Montt Mardié (monttmardie.com/myspace) have written an anthem for the Pirate Bay. You can torrent the song from thepiratebay.org/special (if you don't have bittorrent, you can find it online!)

An artist has got to make a living just like everybody else, there's no doubt about it. And these are tough times, believe me I know. The thing is though, if I were to go back in time, 10 years or so, and tell the 15-year-old version of myself that over a night, 60 000 people had heard one of my songs, the first question I'd throw back at myself wouldn't be "how much money did I make?".

Don't get me wrong, I love money and I want to make a lot of it. Bathe in it just like Uncle Scrooge. But money isn't the main reason why I write songs. First and foremost I want people to hear them.

Times are so strange at the moment and a lot of people are angry and upset. Still, for each day that goes by I get more and more convinced that we shouldn't try to fight the future, we should embrace it. Try to see opportunities instead of catastrophys.

I've written a song. I call it "We're All The Pirate Bay". It's free and nobody will ever have to pay for it, though if you incist you are welcome to make a donation!

Take care, Monty

Ironically, the theme song doesn't sound like it was stolen from anywhere else.

In the “About” section of Little Big Adventure’s website, sole member, Magnus Sätterström, explains that the majority of his songs are about “low self esteem” and “hate.” Pretty common stuff, but considering that these topics are being interpreted through the meticulous scope of Swedish indie pop, things are bound to get interesting.

The Hateful Eye EP features four Casio-centric songs about upset stomachs, fishermen, and uncomfortable situations. Opening track “Happiest Times” lives up to its name, as it is the most upbeat song on the EP – despite the predictably depressing set up (I remember you were once my love…). The repetitive but beautiful tinkling piano provides a lovely contrast to Sätterström’s mumbled vocals, and the melancholy lyrics strike a perfect balance between humorous and heartbreaking.

Sätterström readily admits to not being a “skilled keyboard player” and acknowledges the use of a noise filter to hide technical flaws and noise glitches. His Labrador labelmates, such as Acid House Kings and Sambassadeur, are known for their flawless production, but I can’t help but wonder if Sätterström would actually benefit from letting a few of those flaws and glitches seep into his sound. The lo-fi feel to his songs are definitely apparent, but on a monotone track like “Any Questions?” a little sign of human life behind the robotic production would be quite welcome.

The last track, “Son of St. Jacob’s,” is a fitting end to the EP, as it evokes the same earnest feeling of the opener. Sätterström’s self-deprecating and dry humor adds a layer of warmth to the electronic pulse, and I found myself listening to the EP on repeat, allowing the songs to blend together seamlessly. With such quietly infectious melodies, it’s easy to overlook the two themes of hate and low self esteem and simply enjoy it for what it is: a guy and his keyboard.

Love in October is an indie band, formed in Minneapolis, but ultimately moved to Chicago. Todd's previously reviewed their record, and I've seen them live before. This time around, they are now a five-piece band, complete with new extra guitarist, keyboardist and new drummer. What hasn't changed is their Swedish heritage pride, which they proudly display their yellow and blue Swedish flag where ever they play.

Seeing them at both The Minnesota History Museum and at the 400 Bar, is like night and day. While their daytime show was a bit toned-down (hey it's tough to rock out when there's marbled statues and parents and children all around), their 'adult' show was all-out rock-out-loud. They certainly seem more comfortable and in their element in the dimly lit venue.

Love in October Setlist ♥ Minnesota History Museum, St Paul (05/09/09)

MINNESOTA HISTORY MUSEUM
Prior to the start of their daytime show, Erik came on stage to talk about why Sweden exported so many (good) music. They are the third behind the US and England, as far as music production goes. This is a feat, considering the size of Sweden is only the size of California. He goes on to talk about how this was possible due to the Swedish government decided to put .7% into the arts in the seventies. Of course, being a long-time Swedishpop fan, I knew all these facts, however, I don't think the general public knew about the Swedish arts & music program.

After ten minutes, the rest of the band joined Erik on stage and they did the indie rock thing. And yes, I was head-bopping and foot-tapping. Quite embarrassing when drummer Ivan Sosa said, "I want you to enjoy the show - like THAT GUY!" and pointed to me.

They did three songs in Swedish (including the "VI Går Till Stranden" song from their debut LP), which fit in the whole Celebrate the European "Year of Creativity and Innovation" event that was being held that day. The highlight for me was their cover of Weezer's "Undone (The Sweater Song)". Yes, I I added my own dialogue to the song: "Hey did you hear about the party? I think I'm going, but my friends don't want to go. Can I get a ride?"

INTERMISSION
Warp speed to 10:30 pm (yes I did go out to dinner and saw the new Star Trek movie), and I've ditched the 400 Bar to see Kate & Lara as they leave their show at the Cedar Culture Center (this is only practically only a few doors down the road). I wasn't really expecting to see them actually, I had noticed a bunch of people leaving the Cedar so I went over there to see if the show was over (it was). I got first hand report/review from them about the show and we talked a bit about Chalakah and 'you got moted'. Kate has a band called Crush on Kristi, and they're playing June 12th, I think. Oh also, apparently 'beard rocker' bartender from the 400 bar was seen at the Cedar.

Love in October Setlist ♥ 400 Bar, Minneapolis (05/09/09)

400 BAR
Love in October took off their kids gloves, you would almost think they were two different band, based on the morning and night shows. Like I have previously mentioned, they look and felt much more comfortable. Even their playing and movement style was as different as their set list for tonight. Most of the set includes new (untitled) songs.

The highlight of the show was when they asked the original Minneapolis drummer, Travis (?), to come on stage to drum for one of their older songs. He definitely still remember the beats and did a pretty outstanding job.

They seem really excited about a brand new self-titled EP coming out on May 26^th, I am assuming available on CD and definitely it's going to be on vinyl. The cover artwork features a 9 year old Erik, the shirt was recolored to red stripes instead of blue. More details about buying their records and seeing them live are all on the official website.

For years, my Scandinavian Holy Trinity has been set in stone: Jens Lekman, Sondre Lerche, and Erlend Øye. These three men embody everything I love about Nordic pop: catchy melodies, depressing lyrics, and above all, debonair looks (in a lanky, pale, probably-got-beat-up-after-school kind of way). But after last night, I may have to add another Swede to that equation: Emil Svanängen, a.k.a. Loney, Dear.

I had previously seen Loney, Dear (Yes, it’s “Loney,” not “Lonely.” Sorry, Spellcheck.) at Soundfix Lounge, a far more smaller, intimate venue. It was a lovely show, but I wondered if it would translate well into the much bigger Music Hall of Williamsburg.

Lia Ices at Music Hall of Williamsburg, Brooklyn (05/05/09) ♥ photo by Laura Loney Dear at Music Hall of Williamsburg, Brooklyn (05/05/09) ♥ photo by Laura Loney Dear at Music Hall of Williamsburg, Brooklyn (05/05/09) ♥ photo by Laura

Things started off slowly with opener, Lia Ices. Her gradual but fierce, piano-centric ballads reminded me of slightly more subdued Frida Hyvönen. In a way, her sparse instrumentation and morose lyrics set the mood for the rest of the night. The audience remained politely quiet through most of her set, as Ices maintained an enchanting, often hypnotic stage presence. The whole girl-with-a-keyboard outfit has been done several times before, but there’s something strangely haunting about Ices that sets her apart from other singer-songwriters.

The solemn mood was somewhat lifted when Loney Dear took the stage, opening with the steady-building track, “I Was Only Going Out,” from his latest release, Dear John. Several other songs followed a similar format, and in the larger setting with his full band, the tracks were able to flourish into lush, sweeping mini-symphonies.

Svanängen’s band (which included a keyboardist who eerily resembled a somber Andy Samberg) contributed greatly to the “bigger” sound not usually associated with Loney Dear’s brand of thoughtful pop. Whether it was the more electronic tracks from Dear John or the earlier, orchestral tracks from Loney Noir and Sologne, the band added an exciting, almost urgent edge to Svanängen’s confessional lyrics.

Loney Dear - Airport Surroundings Loney Dear 1 comment Tour Dates 05/08/09 Rivoli Toronto, ON 05/09/09 Schuba’s Tavern Chicago, IL 05/10/09 Cedar Cultural Minneapolis, MN 05/13/09 Crocodile Café Seattle, WA 05/14/09 Doug Fir Lounge Portland, OR 05/15/09 Bottom of the Hill SF, CA 05/16/09 Spaceland Los Angeles, CA 05/17/09 UCSD San Diego, CA See Also Jens Lekman http://weheartmus... I'm not gonna claim to have the most macho music collection in the world---nay, my playlists are ...

My initial concern of Loney Dear’s quiet demeanor clashing with a larger venue was quickly put to rest. Svanängen has a knack for endearing and warmly funny stage banter, and within moments, the audience was smitten. He even managed to pull of the impossible: an audience sing-along that was not completely awful. Choosing the simple na-na-na-na chorus from “The Meter Marks OK,” Svanängen led the audience like a junior high choir teacher. Considering that the crowd that night mostly consisted of PBR-slinging, hipper-than-thou Brooklynites – it was quite a feat.

Of course, none of it would have been possible without Svanängen’s unassuming and shyly charismatic personality. Whether it was through his heartfelt lyrics or random witticisms, he gave off an immediate sense of likability. It is somewhat telling that the two grown men (both in vaguely corporate attire) behind me had the following conversation midway through the set:

Guy #1: I haven’t been this happy since I was a kid.
Guy #2: This is just beautiful. Beautiful.
Guy #1: I know. I just want to… touch him.

I know how you feel, Guy #1. And just when Svanängen couldn’t get any sweeter, he ended the show with the fitting track, “Dear John.” With just him and his guitar on stage, he sang, “Sleep well, tonight. Sleep while you can.” It was a beautiful ending to an intimate and charming show. So charming, in fact, that Jens, Sondre, and Erlend may have to watch their backs.

SXSW: SUMMARY
You know, the festival is only four days, but it really seem like weeks.

While having every band in the world merge at one place might sound like a great idea... sometime their appearance conflicts with other artists that you also want to see. So one of the biggest problem I had was sacrificing who to see.

Music happens from daylight (probably closer to 10am start) until two in the morning, or even later.

I usually started my day around 8am, working out my schedule for the day. Sometime it's logistics, sometime it's time-issues, but usually I have a full day's worth of stuff to do. I don't follow my schedule to a T, but there are certain items that I absolutely cannot miss (scheduled interviews takes priority over shows).

IMIW09	Shay in the Blackwatch Studios	Camera Obscura - Setlist (3-19-09)
The May Fire - Set List (3-18-09)	Proclaimers - Set List (3-19-09)	Glasvegas - Set List, La Zona Rosa, Austin TX (3-20-09) - From Bob
Late of the Pier - Set List, Austin TX (3-21-2009)	Crimea - Set List, Austin TX (3-21-09)	Superdrag - Setlist, Guero's (3-19-09)
Wave Machines - Friends, Austin, TX (3-18-09)	Jay Jay Pistolet - Friends, Austin TX (3-18-09)	May Fire - Havana, Austin, TX (3-18-09)
Meiko - Cedar Door, Austin TX (3-19-2009)	Superdrag - Guero's (3-20-09)	Primal Scream - Austin, TX - Photo from Bob
Ed Harcourt - Cedar Door, Austin TX (3-19-2009)	Kate Tucker - Cedar Door, Austin TX (3-19-2009)	Diane Birch - The Garden Party, Austin TX (3-21-09)
The Gin Riots - Rio, Austin TX (3-21-2009)	Goldielocks - Rio, Austin, TX (3-21-2009)	Crimea - Austin TX (3-21-2009)
Babies Loves Jeremy Jay - Austin, TX (3-21-09)	Jeremy Jay - Club de Ville Austin, TX (3-21-09) 1 comment	Melissa Auf De Maur - The Garden Party, Austin TX (3-21-09)
Camera Obscura - La Zona Rosa, Austin TX (3-20-09)	Solid Gold - Beauty Bar, Austin TX (3-20-09)	Laura Marling - The Garden Party, Austin TX (3-21-09)
Ed Harcourt - Until Tomorrow Then 1 comment	Cedar Avenue - Running Home 2 comments	Los Fancy Free - JAJAJA 1 comment
The May Fire - Under The Wave 3 comments	Solid Gold - Get Over It 2 comments	Kate Tucker & The Sons of Sweden - Saturday Night 1 comment
Meiko - Piano Song 1 comment	I Am Incinerator 5 comments	The Asteroids Galaxy Tour - The Sun Ain't Shining No More 2 comments
Glasvegas - Geraldine	Camera Obscura - Eighties Fan (original version)	The Proclaimers - I'm Gonna Be (500 Miles) 8 comments
Primal Scream - Suicide Sally & Johnny Guitar 2 comments	Jeremy Jay - While the City Sleeps	Laura Marling - Ghosts 3 comments
Late of the Pier-Space and the Woods [Cenzo Townshend Mix] 1 comment	The Crimea - Jellyfish 3 comments	Camera Obscura - Hands Up Baby 2 comments
Ed Harcourt - Until Tomorrow Then	Crimea - Jellyfish 1 comment	The Proclaimers - 500 Miles

WHAT WORKED
- Offline gmail. This worked! I read/did most emails offline and when I was connected, all emails were sent, marked as read, etc.
- iPod Touch, worked like a charm. I was able to grab onto various (free) wifi to receive emails or websurf (maps), etc.
- Austin Convention Center's SXSW wifi stayed up most 99% of the time. Wonderful!
- Cash (ATM) availability
- Blocking off 6th street for pedestrians

WHAT SUCKED
- AT&T Network, apparently everyone in Austin had an iPhone
- Walking......
- Sony Memory Stick not supported on my laptop
- Bands playing 30 minutes or less
- Badges are ridiculously expensive ($600-$700). I think they should make it more affordable, especially since most places don't bother to check for a badge and/or were free. If there was a cover charge, it is usually under $10.

I guess my problems are not really that bad.

DAY ZERO (Tuesday)
Travelling… nothing too exciting. My least favorite state was the one with the road tolls (I think this was in Oklahoma). We did stop in Oklahoma City to see Blackwatch Studios (myspace). We got to hear a few songs from Minneapolis' Cedar Avenue (official/myspace) band from their forth-coming long playing record. The few songs we heard were incomplete, but it sounds really layered with a variety of tracks.

By the way, if the name Cedar Avenue sounds familiar to you, it is because Kristin reviewed their debut album a while back.

DAY ONE (Wednesday)
Getting my barring was hard. I didn't know where any of the streets were. So when people text me: come over to (name of venue), I replied and ask what the cross streets were. Since walking around was my main means of transportation, I ended up crossing out outlier venues immediately.

Wednesday was evening-only, so I mostly went to see some British acts over at Friend's. These guys were all from the London area, with the exception of Liverpool's Wave Machines (official/myspace). These guys creeped me out with their masks that they wore on stage - however, due to heat and comfortableness, they took them off half way into their short set. Also caught a bit of Jay Jay Pistolet (myspace), whose singing voice is very peculiar... it's like he sounds like he's sing out the side of his mouth.

When Mumford & Sons (myspace) took the stage, it was very, very, very crowded. The audience loved them and it's apparent that these guys are going to blow up this year.

The Havana Bar had some Spanish showcase, featuring mostly Mexican bands such as Songs For Eleonor (myspace), Satin Dolls (official), Cosmopolitan (myspace), and Los Fancy Free (myspace). With the exception of The May Fire (official/myspace) and Spain's Capsula (official). We like Spanish acts, so be sure to read more Mexican Summer and my coverage of Los Fancy Free.

DAY TWO (Thursday)
I think this was the big press day, I got to meet & greet Victoria who setup the interview with Solid Gold (myspace). She was kind enough to have me in the Myspace Music event, featuring some artists that I really enjoy: Kate Tucker, Meiko and Ed Harcourt.

To kick off the party was The Real You (myspace), a power-pop band from Seattle, Washington. According to their biography, they've been on constant tour since forming in early 2007 - so I'm sure you'll run into this young band eventually.

I haven't been keeping up with Kate Tucker (official/myspace), but apparently her latest project is with a band called The Honeydove (myspace) - who debuted at SXSW! Unfortunately, I had prior commitments, but I would've liked to have seen her new band play at the Beauty Bar.

Anyway, the nicest bit about her set was that she wanted everyone at the event to get a copy of her last album, "I want to give you my music!"

So if you weren't at the event, you missed out. Hey, maybe you can stop in and say hi to her in Washington:

04/05/09 Sunset Seattle, WA
05/21/09 Chop Suey as honeydove Seattle, WA

Read more Kate Tucker & The Sons of Sweden on W♥M.

Meiko (official/myspace) had a guest trumpet player on for most of her set (she requested him on for the rest of show because I guess she felt more comfortable with having someone else with her). She actually started her set with "Piano Song", which ironically just her and her guitar... She made some funny comments, such as "I've never played to a bunch of porta potties before".

You get the impression that she was happy to be there, and maybe it's yellow-iest dress combined with her orange/red dyed hair, but she looks gorgeous.

Ed Harcourt (official/myspace) was very engaging…. During "Until Tomorrow Then", he got down to the audience and walked around, singing and putting his hands around people while everyone was filming and taking pictures. Enclosed is a video evidence.

Harcourt is releasing a new six-track EP called Russian Roulette out on May 5^th, but SXSW audience were privy to some of his new songs courtesy of Dovecote Records and Directv. Pay close attention to "Caterpillar", as this is a personal song about his newborn daughter being placed in an incubator as they helpless sit and wait.

Went to an open-door new talent showcase, this was not an official sanctioned SXSW event (you'll find that there are many, many unofficial events), so I don't have a listing of who played at what time. They were all giving away their CDs, but I couldn't bother to pick them up (this would require me to carry around stuff, and I didn't have a hand bag ready). Reminder for next year: bring a man purse.

Also went over to check The Elevaters (myspace) and Rumspringa (myspace) at the Hi-Lo venue. While Elevaters were fun and energetic, it seems the drums/guitar duo of Rumspringa had a lot of problems with their equipment. They had to cut their southern-sounding melodic set short after four (?) songs, quote from the singer, "my shit ain't working."

DAY THREE (Friday)
The busy day. Walked all over town basically. My only out-of-the-way venue was at 3 o'clock to see Superdrag (official/myspace) at Guero's, which I thought was far walking there. I ran into one of our RV family, who we'll call Rose because she looks like a pint-sized Pippettes, complete with dress and all. We walked back across the river so I can make it to my Asteroids Galaxy Tour (official/myspace) interview (this was delayed because of some miscommunication).

Afterward, headed over to Beauty Bar to see Solid Gold play, mustache and all. I can tell the audience was having a good time, especially the girl at the backstage.

Then snuck over to see this punk(ish) band that MTV was covering. I didn't catch their name, but it sounded something like Dirty____ Something. The singer had bleach blonde hair and eye shadows.... and likes to walk around with no shirts on.

Evening was spent mostly at the Scotland show: We Were Promised Jet Packs (myspace), Dananananaykroyd (official/myspace), Camera Obscura (official/myspace), The Proclaimers (official/myspace), Glasvegas (official/myspace), Primal Scream (official/myspace). I was in-out so I did end up missing Glasvegas & Primal Scream, but thanks to Bob for sending in some pictures.

DAY FOUR (Saturday)
Saw a few bands in the daytime at the Press Here Garden Party at the French Legation Museum across the Freeway (this is actually closer than it sounds). The walk there was interesting, and I discovered a no-seating Wendy's on the right side of 7th Street. Yep, I ended up having dinner there since they were making these chicken things that's not available in Minnesota.

I got to the Garden just in time to see Jeremy Jay (myspace), and enjoyed the most of the day with The Soft Pack (myspace) and Diane Birch* (myspace) before heading over to 900 Red River to see Jeremy Jay again.

Listened to Camera Obscura afterwards with those Peelander-Z, as I previously mentioned.

Headed back to the Garden to see Melissa Auf De Maur (official/myspace), who started her set with three cover songs: Nancy Sinatra's "Bang Bang", Danzig's "Devil's Plaything", and The Smiths "Stop Me If You Think You've Heard This One Before". Although the first two went off pretty well, she totally messed up on "Stop Me" - which is understandable because that song has a lot of Morrissey's lyrics and also they had only practiced it the night before in their hotel room.

It wasn't long before people started filling up the seats at the Garden to see Laura Marling (official/myspace). She was joined on stage by Marcus Mumford, I think. He played percussions and sang backup, although I have to say that Marling would've done just fine with her lovely voice and acoustic guitar.

Saw Late of the Pier at the Bat Bar later that night. Since it was being broadcast live on Directv, I think the pressure got to the band and it was just embarrassing to watch. Towards the end, they seem to not be so nervous, and the (rather long) setlist ended with men in death masks coming on stage to carry the band offstage. I don't have Directv, is there a way for non-subscribers to watch this?

Honey Ryder (myspace) was really happy to be Austin, I think this was their first ever US appearance or something. I believe also that their name came from a James Bond girl ? I don't know much about them, but they seem to have a wider audience and following in the UK, where their single "Fly Away" entered the UK Top 40 at #31.

GoldieLocks (myspace) is 75% English and 25% Swedish from Croydon (South London). She raps to DJ Sports (?), who is wearing this Skeletor T-shirt. After the show, she wanted to give everyone in attendance her EP, which actually went pretty fast. As I previously mentioned, keep an eye on this one.

There's no denying that The Gin Riots (myspace) have quite a few hardcore fans here, as evident by a bunch of Gin Riots T-Shirt in the audience.

It's been a few years since The Crimea (official/myspace) toured in the US, so I was happy to be there for them on their second and last SXSW appearance. They were the last band on my list, so it was kind of a relief when it was all over.

And as corrected by superfan Christopher, Tara Blaise shared the stage to sing backup for the band.... Highlight of the show was then Davey Macmanus stepped down and sang in the center of the audience.

* A note on Birch is that she has these incredible legs, but too bad they were well-hidden behind her piano on stage.