A week or two ago, just for shits n' giggles, I watched the
2008 MTV Video Music Awards--a
rather ironic spectacle, considering that MTV has virtually nothing to
do with music anymore--and I came away from the experience with a
splitting headache and a meager handful of insights:
1. Katy Perry is ridiculously hot.
2. Russel Brand is a colossal
douche.
3. Goth fashion has now become positively mainstream (see
Rihanna's opening performance of "Disturbia" to see what I'm talking
about).
And 4. Popular hip-hop artists like TI (and T-Pain and
T-whatever), Young Jeezy, and Lil' Wayne demonstrate beyond a shadow of
a doubt the old adage that crap always floats to the top. If these
schmucks are the forefront of hip-hop, then hip-hop is truly a
played-out, moribund art form. One we should just take out behind the
shed and...well, put it out of its our misery.
Fortunately, they're
not. Despite what many
contemporary rappers will tell you, making lots of money, banging lots
of women, and selling a few million ringtone versions of your "hit"
singles
does not equal success in The Game. As all the best
emcees know, wine, women, and song are transitory things that don't
count for much in the long run.
True success in The Game comes
in delivering music so full of talent that listeners--even those who
generally don't dig a lot of hip-hop--will be talking about it,
praising it, analyzing it, and being inspired
by it long after
the release parties have ended and the singles have disappeared from
the charts. And if people aren't talking about
Giant Panda's (
MySpace) second full-length album
Electric Laser looooooong into the future, I'm going to be surprised and, more importantly, appalled.
Giant Panda are an international, interracial crew of emcees
currently gettin' bizzy in Los Angeles. Founders Newman and Maanumental
are both originally from Seattle, but the trio's third element,
Chikaramanga, hails from Tokyo and brings a very distinctive Asian
flavor to the group with rapidfire flows in both Japanese and English.
But Chikaramanga is but a single lion in the lyrical Voltron that is
Giant Panda:
all members have strong individual talents that combine to create a rap
kaiju that
truly deserves to bust out of the independent rap scene like Godzilla
escaping from Monster Island to stomp the bling-encrusted dullards who
currently "rule" hip-hop into the dirt. But thanks to the crew's
relationship with LA's legendary People Under The Stairs (
MySpace)--Chikaramanga and P.U.T.S.' Thes One are two of the minds behind
Tres Records, one of
the hottest
independent hip-hop labels Out There and current home of Giant
Panda--the black-and-white behemoth from both sides of the Pacific
could very well be poised to rise to stardom with
Electric Laser just as Atmosphere finally began gathering widespread love with their magnum opus
When Life Gives You Lemons, You Paint That Shit Gold.
Giant Panda aren't quite as "serious" as Atmosphere, whose lyrics
have always dealt with tough issues with a bare-souled honesty rarely
spotted in rap, but that doesn't mean that Giant Panda can't handle
deep subjects. They just tend to focus more on the fun, oldskool
block-party aspect of hip-hop. With song titles like "Laser Beam
(Scotty's Theme)," "Precise Calculator," and "Do The Robot In
Cyberspace," the Pandas are clearly proud of their nerdy side, but
though their work features samples from Tron and Real Genius and
lyrically touches on everything from robotics to superheroes, they
aren't nerdcore--which means they will definitely appeal to geeks like
me while not limiting their appeal only to geeks. Their funky
oldskool beats and witty rhymes will immediately catch the ear of
anyone with a taste for off-the-wall rappers like the Fu-Schnickens,
Digable Planets, The Beastie Boys and Del The Funky Homosapien, and
their slightly retro sound will thrill jaded hip-hop fans who long for
the glory days of the genre's origins. But Newman, Maanumental, and
Chikaramanga are not here to celebrate the past, but to use that
oldskool sound to create a wormhole to the future, and they've brought
back a truckload of asskickin' jams to prove that hip-hop will long
continue to be a vibrant underground sensation that can absorb any and
all cultural influences and still remain true to its roots.
So let's take a look at the tracks themselves, shall we? After
the obligatory little intro piece, "Justin Case" explodes with an
early-'90s beat, a groovy horn hook full of bootyrockin' '70s-funk
flavor, and the instantly catchy chant, "Just in case you didn't know,
here we go!" This song introduces the crew's three rappers and
encapsulates the essence of Giant Panda perfectly. Newman and
Maanumental are skillful emcees with rapid deliveries that'll have you
waving your hands in the air in seconds. And even though I didn't
understand a single word of Chikaramanga's Japanese flow, the energy of
his delivery and rhymes keeps the jam alive even when you might not be
able to follow the lyrics. The group's B-boy stylings are in full
effect on "Speakers Pop," whose synths and beats and rhymes will demand
you turn up your speakers to the top notch so you can "let it
bump-bump, let it knock-knock." Somewhere in LA, right now,
someone is breakdancing to this song atop a flattened refrigerator box
on a streetcorner. I guarantee it. "Laser Ray" is a bitchin' superhero
tale and "Precise Calculator" is dedicated entirely to Chikaramanga and
his numerically-precise but ultrafunky Japanese/English flow. "Cinemax"
is a hilariously swanky celebration of watching softcore pr0n on Skinemax,
as we all used to call it back in the day, with your girl in the hope
that it might inspire her to give you a little somethin'-somethin', and
"Do The Robot in Cyberspace" is...well, if you even have to ask
yourself what that means, then you can just go back to your R. Kelly
and your Souljah Boy.
But Giant Panda do tackle serious topics occasionally
in their rhymes. "Same Old Shit" catalogues the everpresent,
inescapable forms of bullshit that make life miserable, and "Pops" is a
touching--if extraordinarily danceable--exploration of gay parenting
and the manifest stupidity of thinking that gay people can't raise
children just as well as straight folks.
All in all, this is a bright, blazing, electric laser of an album
that is guaranteed to bring some neon to even the grayest day and will
vaporize any of those overblinged lotharios who think they've got the
rap world in a chokehold. If they step to Giant Panda, they're going to
find themselves reduced to sad little piles of ash.