3 posts tagged “prince”
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Soul Asylum at OLL Blast!, Mound, Minnesota (05/02/09) ♥ photo by Kate Tour Dates |
Remember when rock bands had long hair and wore flannel for comfort, not irony, and remember when they’d stumble around doing crazy things like PLAYING GUITARS WITH BEER BOTTLES and SPRINTING FROM ONE END OF THE STAGE TO THE OTHER? Fuck the 80s revival, the 90s was obviously a superior decade. Allow me to list the evidence: fashion-stagnant icons (“grunge”), Winona Ryder’s snatch (been there, done that), glorified nasal tones, and, most importantly, a general dismissal of happiness in favor of talking about doing important things while doing nothing (see “Reality Bites” for reference).
On Saturday, Our Lady of the Lake Church hosted The Greatest Band Ever…to Come out of Minnesota between the Years of 1992 and 1995. That’s right, mofos, I’m talking about Soul Asylum. This band not only fulfills every 90s era requisite, as listed above*, but as a bonus singer Dave Pirner still appears to be living in the 90s, as confirmed by his torn jeans and Aquaman t-shirt. It was—and I’m being completely sincere—an amazing night.
The Honeydogs at OLL Blast!, Mound, Minnesota (05/02/09) ♥ photo by Kate |
The show opened with another local favorite, the Honeydogs, who brought horns for the occasion. Like many bands of a certain age and ilk, the Honeydogs are best heard live. As a studio group, their music is straightforward mature rock with an unusual lyrical edge over similar acts (early song themes include race relations and cultural alienation). Fussy twenty-somethings may not appreciate the band’s tame anthemic style or the crowd draw of mostly L.L Bean-clad professionals, to which I say “fair enough, but how many mid-90s bands can lure hundreds of fans to Mound, Minnesota (population 9,435, birthplace of Kevin Sorbo) and pull off a slim jean designed for men half their ages?” (The answer is: at least two.) I should also mention that the quote of the night goes to Adam Levy who charmed the (presumably conservative) audience with a few deliberate “support your troops” cheers:
Levy: (after informing us that his once-teenage son had intended to enlist) “By the way, my son never went to Iraq. He discovered mushrooms instead.”
I think you know you’ve “made it,” or in Soul Asylum’s case, “made it, lost it, and re-made it,” when you have a man whose sole responsibility is to hand you your guitar (or in Soul Asylum’s case, physically position the guitar in your arms). Dave Pirner has (re)made it. Another testament to your lasting fame is the number of women available to carry your child (at least one; she knocked me in the head while frantically waving her arms in what I determined to be code for “please infiltrate me with your love tool”). Dave Pirner still has it. Regardless of the holy location, Soul Asylum rocked the Devil’s music in a hard way, pulling out all the stops; never have I seen middle-aged men attempt—and almost succeed at—sweaty, dated stage acrobatics like Pirner’s hip gyrations (still sexy) and Dan Murphy’s awkward guitar slide. At one point I turned to my friend and said “I feel as though I’m having a childhood experience that I never actually had” (this was likely during “Misery”). And yes, I know what you’re wondering: they still play “Runaway Train.” In fact, despite years of heavy substance intake, Pirner’s voice sounded pretty good. He looked pretty good too; moving about in a youthful manner, as I mentioned earlier, as well as telling some jokes, smiling, acting gracious and friendly…it seems that the bratty rock star grew up.
The band played a full set plus encore, where Kraig Johnson, formerly of the Jayhawks, joined in for a few crowd-pleasing covers (“My Generation,” “Should I Stay or Should I Go”). Johnson made a hasty exit after some trashy bitch threw a plastic beer cup at him (don’t worry, Tommy Stinson was ready with a hug**) and the show concluded with Pirner inviting his roadies onstage to play a few notes and later to pack up the instruments.
I have no idea if Soul Asylum are touring. Their website hasn’t been updated since 2008, but feel free to dream. The Honeydogs are a bit more prolific, with local shows later this summer (go HERE or HERE for more information).
UPDATE: Soul Asylum has a handful of upcoming shows, as per their Myspace.
* Dave Pirner had a blink-and-you’ll-miss-it cameo in “Reality Bites”
** Stinson (The Replacements) joins the band on bass and Michael Bland (Prince) replaces former drummer Karl Mueller, who passed away in 2005.
05/04/2009 20:52:02 ♥ lara (
/lara206.vox.com) ♥ soulasylum.com ♥ myspace.com/soulasylumofficial
As a pretty big DC Comics geek, so I went to see The Dark Knight on opening day. I've been eagerly awaiting the film since Batman Begins and it just felt forever for the film to finally make it to the movie theaters. What made it worst, was I picked up the Batman Bluray and saw the first six minutes of the film, which made waiting for the movie even more unbearable!
So after watching it, I definitely wasn't disappointed. I thought maybe at the end, there was an over usage of sweeping orchestral music that seems to overpower the dialogues spoken. Maybe even Christian Bale's Batman voice is sometime over dramatic and the Gotham mafia is a joke, the movie is still pretty awesome.
By the way, I'm actually kind of surprise that with all the violence in the film, it was still Rated PG-13. I guess the rating board have laxed over the years, but if this movie was released in the 80s, it would've been slap with an R.
I'm sure all the critics will tell you what a wonderful villain Heath Ledger's Joker was. He was pretty frightening in the role, and I'm kind of sad that this will be his last role. In some ways, I hope they don't bring back the Joker in future films, especially if future actors won't be able to carry on the craziness of what Ledger brought.
Anyway, before I let spoilers slip, I'll just keep this short and sweet. Here are some Batman music.
A couple of comments: I've previously mentioned Hans Zimmer and Danny Elfman before, so check those out. The "Batman TV Theme" was redone, possibly in the late 60s by an outfit called The Dynamic Batmen. I've always loved this surf theme song, but it doesn't seem to suit the seriousness of what Batman should be. It is a fun song and I guess reflect the feel-good theme of the Adam West show.
Prince's "Batdance (Vicki Vale remix)" and had heavy sampling from the 1989 Batman movie. It is, as they say, funky, I didn't think belong in the "grim" and "gothic" Tim Burton film. However, Siouxsie and the Banshees' "Face to Face" fit quite well in the sequel Batman Returns. What a great single! Rounding out is R Kelly's "Gotham City", from the disaster that is known as Batman & Robin.
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Links: thedarkknight.warnerbros.com
hans-zimmer.com
oingoboingo.com
These reviews are grouped together by the fact that they are playing some concerts - so to see their tour dates, please click on "read more". Most of these guys are playing at SXSW, which is happening right about now.
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Hilary McRae I've previously mentioned Hear Music, the Starbucks label, before. The label seems to be signing the more singer/songwriter type music, and obviously it's prestigious to be associated with Sir Paul McCartney and, er, corporate coffee. It must be an honor for Hilary McRae's debut album Through These Walls to be released the Hear Music label, in association with Stone Road Records. According to her biography she's wanted to be a performing singer since the age of fifteen. She auditioned (and awarded) for a scholarship for the Berklee College of Music and ended up studying music in Boston. [ read more ] |
The Diggs Today (March 11th) sees the release of Ctrl-Alt-Del, the sophomore album from The Diggs. With that title being so closely associated with computers and technology, you'd think that this was Kevin Rose's band... but no, The Diggs are a rock band from Brooklyn, New York. Timothy Lannen (singer/guitars) and Robert Haussmann (bass) met as roommates near Long Island. They were both in a prior band together and decided to start The Diggs when that band broke up. [ read more ] |
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Strix Vega Strix Vega is a rock band from California. Their name is a strange one, "Strix" is an old Roman legendary blood-sucking owl creature, while "Vega" is the name of a bright star. Their debut album is called Drunken Sky (2006) and reading their latest news, they're also putting together an EP and a sophomore album, to be released around the same time. They're playing a few dates, including some festivals, such as the Red Gorilla Music Festival... which should draw in a pretty large crowd. And as the title of their album suggests: you're meant to enjoy this album some cold beer and laying on the grass, staring at the sky. [ read more ] |
The OaKs - Songs for Waiting I've previously mentioned about The OaKs before, about singer, Ryan Costello's humanitarian efforts in Afghanistan. On his first album, it seems that all the songs were inspired from the time he's spent in Afghanistan (and even contain some of the native's random dialogue). He's still trying to save the world with his second album, Songs for Waiting, which was released last Tuesday, March 4th. There's an airplane engine on the first track, "The Two Calls (Of Dietrich Bonhoeffer)". The airplane does have a linger of 9/11, at least to me, because Costello left for Afghanistan as a result from that incident. [ read more ] |
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Motion City Soundtrack I've been really happy that Motion City Soundtrack are a famous band from Minneapolis, Minnesota (where I live!). I would have to describe as a power pop band, and in some ways sounds sort of like a very pop Green Day. Their latest album, Even If It Kills Me is their most successful to date, charting #16 on the US Billboard charts. They are currently on tour to support their album throughout North America. Judging from some of the sold-out tour dates, it's going to be a pretty lucrative tour. [ read more ] |
Kate Schutt What makes Kate Schutt's No Love Lost album very interactive is that she's on the Artist Share network. You get a serial number with the purchase of the CD, which you'll need to enter into the artist share website. It then offers additional contents (demos, interviews, audio blog, etc) from the artist themselves - bridging that gap between artists and fans. What a great idea this is! I am absolutely thrilled to hear Schutt's rendition of "The Glamorous Life"... [ read more ] |
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03/14/2008 11:32:34
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