2 posts tagged “doomtree”

Fête Nationale or Bastille Day is the national holiday for French citizens every July 14^th. It's the uprising and storming of the Bastille fortress-prison and the start of the French revolution. Why Minneapolis is celebrating Bastille Day - I don't know why, it's not like Minneapolis has a large French population. I suspect it has a lot to do with the main sponsor, Barbette Cafe (in association with Vita.mn and strong support from The Current Radio).

The seven-band line up for Bastille Day was open and free to the public block party, however if you wanted to drink alcohol, you had to pay $1 for a wristband (the privileges of paying more to drink). There was only one food vendor and they mostly served burgers and brats. Vegetarians will have to settle for their fries as their only option. (Edit: I am told there were also black bean burgers and coleslaw, which I actually misunderstood as burgers with beans.)

I saw most of the bands on the bill, from the gypsy-style music of Yid Vicious, to hip-hop Sims & Paper Tiger of Doomtree, to Americana Romantica.

I was mostly there to check out Idle Hands, whose influences of British 80s music (Bowie, Smiths, Pulp) was enough for me to want to get there early to see them. It sounded like a rocky start with their first song with the vocals and guitars fading in and out. The music got better and better, as they went on. I suppose it's not surprising when you think about that the band had no sound checks and you would think the first song is the soundcheck.

Inbetween setting up music, you were entertained by aerialist Jim Domenick, street performers (wasn't sure if some of them were official or not!) and the not-too-exciting Rollergirls.

The last band I saw before we left was Halloween, Alaska, who ended their set with a Bruce Springsteen song, "State Trooper". Which actually doesn't sound like any Springsteen song I've ever heard (and that's the best part).

 01/06/2009 23:06:58  ♥ written by lara ()

Top 5 Albums of 2008

I wrote in my blog (I blog) the other day about my frustration with making “top” lists (even though I had made the suggestion to Vu).  Music, like any art form, is so openly subjective that any attempt at creating a definitive “best” list is hopelessly, well, hopeless.  So I present to you my purely personal Top 5 of 2008 compilations.  Take it or leave it (but please take it, and love me too).

 
1.  Beach House – Devotion

Their first album was nice.  Occasionally heavy-lidded and aimless (as in, the mind wanders when listening), but nice, certainly a curious take on dream pop.  Then Devotion came out and it was like Beach House even further demented the dreamy stargaze domain, in, you know, a really, really attractive way.  With Victoria’s sad, velvet voice (not at all, never ever cute, for godsake), the off-putting pace, the hollow beat, the moodiness, the sometimes romantic/sometimes painful lyrics, the harpsichord, that Daniel Johnston cover…it just works.  How often do all the pieces fall into place?  It may never happen again.  Enjoy, Beach House.

2.  The Raveonettes – Lust Lust Lust

So the Raveonettes are getting fuzzier and less defined, and moving further from those neo-noir 60s Phil Spector-inspired melodies into darker territory.  Darker, louder territory.  Like, seriously loud.  I’d probably be less impressed with this album if it wasn’t for the sheer enormity of sound.  Every song has a kind of feverish build-up; by the end it’s bye-bye future hearing, hello creepy weird aural enlightenment, or something.

3.  Stephen Malkmus & The Jicks – Real Emotional Trash

What I like about Real Emotional Trash is that it combines the best of the Pavement core—bizarre/absurdist lyrics and sprawling noise/extended “jammin’/freak deaky guitar rifts.  This album sounds very Malkmus; it isn’t the work of a middle-aged rocker desperate to fit in one last reinvention and prove to the twenty-somethings that he’s “still got it.”  No, Malkmus hardly seems concerned with too much change; he may choose different directions with each of his solo albums, but there’s always a comfortable familiarity.  (And, for the record, he’s definitely still got it.)

Santogold-L.E.S Artistes The Magnetic Fields-Too Drunk to Dream

4.  Santogold – Santogold

Let’s just get the obvious out of the way:  yes, she reminds you of M.I.A.  Sure, Santogold sings through her nose, loves a crazy beat, and is scarily supa fly (intimidating to the average-looking), but if you actually listen to her album you’ll realize that she ain’t no M.I.A.  Which isn’t to say that Santogold ain’t fabulous.  Au contraire, it’s perfect downtown club music (for the mild, hip and white).  You can bump, grind, convulse, jump, rapidly move your hands in front of your face, remain mostly still while nodding your head, twirl, whatever.  Also, with the absence of any kind of political message you don’t even have to pretend that you care about real things.

5.  The Magnetic Fields – Distortion

What an aptly titled album.  I’m found of aptly titled things.  I wish Animal Collective and Xiu Xiu would take note and start naming their albums “Weird Crazy Things That Sound Like Woodlawn Creatures and Kitchen Utensils.”  It would be convenient for writing reviews. Anyway, Distortion is Stephen Merritt doing distortion, which means fuzzy, drone-y guitar that lovers can still swoon to, and sad/silly lyrics like “sober, you’re old and ugly; shit-faced, who needs a mirror” (“Too Drunk to Dream”).

Top 5 Songs of 2008

1.  Beach House – “Heart of Chamber” (Devotion)

Honestly, I could have chosen any song from Devotion, but “Heart of Chamber” is the one that gives me the strongest heart palpitations (like remembering a teenage night that never happened).  As I said before, it works, and who needs solid logic?

2.  Beck – “Walls” (Modern Guilt)

My relationship with Beck is similar to my relationship with thrift shopping:  99% of the time I leave the store irritated and resentful; however, maybe once a year I find something absolutely stunning, like amazingly, disgustingly perfect that I forget about all the previous disappointments.  “Walls” is my disgustingly perfect gold lamé romper that I will never wear again.

3.  Okkervil River – “Lost Coastlines” (The Stand Ins)

Apparently there are (self-proclaimed) straight men out there that would “go gay” for Will Sheff.  Who knew.  I cannot make that same declaration, but I will say this:  Jonathan Meiburg’s voice keeps me comfortably heterosexual.

Lucinda Williams - Jailhouse Tears

Benoit Pioulard-Brown Bess

4.  Benoît Pioulard – “Brown Bess” (Temper)

His name is Tom (hint:  he’s not French).  Tom taps into those same otherworldly arrangements that Zach Condon used to convince hipsters that foreign music could be edgy too.  “Brown Bess” is just too pretty to ignore.  I don’t know what he’s singing (it’s in English; he mumbles, I selectively listen), but similar to hearing a beautiful French phrase, do you even care?

5.  Lucinda Williams (ft. Elvis Costello) – “Jailhouse Tears” (Little Honey)

The whole album’s kind of a mess:  a few old-school bluesy ballads, some terrible angry rockers, and a truly frightening AC/DC cover (Lucinda, no).  However, this duet with Costello makes me smile because I think Lucinda’s being a bit cheeky, no?

Top 5 Bands to Think About in 2009

Sybris-Oh Man Alina Simone - Half My Kingdom

Jumbling Towers-Gamble 1 comment The Pharmacy-Little Toys On A Shelf Doomtree-Dots and Dashes

1.  Sybris

What:  Anti-twee indiepop
Where:  Chicago, IL
Think about:  “Oh Man!”  (Into the Trees, 2008)
More!  http://myspace.com/sybris

2.  Jumbling Towers

What:  Halloween-voiced lad + pop music + geek beats
Where:  St. Louis, MO
Think about:  “Gamble” (Classy Entertainment EP, 2008)
More!  http://myspace.com/jumblingtowers

3.  Alina Simone

What:  Folk/punk
Where:  Brooklyn, NY
Think about:  “Half My Kingdom” (Everyone is Crying Out to Me, Beware, 2008)
More!  http://myspace.com/alinasimone

4.  The Pharmacy

What:  Dirty rotten indie rock
Where:  New Orleans, LA
Think about:  “Little Toys on the Shelf” (Choose Yr. Own Adventure, 2008)
More!  http://myspace.com/pharmacy

5.  Doomtree

What:  White-friendly (read: non-threatening or “not too ghetto”) “smart” hip-hop

Where:  Minneapolis, MN
Think about:  “Dots and Dashes” (Doomtree, 2008)
More!  http://myspace.com/doomtree
Note:  Doomtree is extremely popular within their home state of Minnesota, but have they crossed the border?  Let me know.