16 posts tagged “ca”
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09/21/09 BOTTLENECK* Lawrence, KS 09/23/09 GRANADA THEATER* Dallas, TX 09/24/09 EMO’S* Austin, TX 09/25/09 WAREHOUSE LIVE* Houston, TX 09/26/09 Spanish Moon* Baton Rouge, LA 09/27/09 Bottle Tree* Birmingham, AL 09/29/09 MASQUERADE* Atlanta, GA 09/30/09 CAT’S CRADLE* Carrboro, NC 10/01/09 9:30 CLUB* Washington DC 10/02/09 Trocadero* Philadelphia, PA 10/03/09 Paradise Rock* Boston, MA 10/04/09 KNITTING FACTORY Brooklyn, NY 10/08/09 TERRACE CLUB Princeton, NJ 10/09/09 Twisted Branch Charlottesville, VA 10/10/09 Duke Coffee Durham, NC 10/21/09 CMJ @ PIANO’S NY 10/21/09 CMJ @ CAKE SHOP NY 10/24/09 CMJ @ THE DELANCEY NY * with Ra Ra Riot Discography
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Their sound is formulaic Sarah Records indiepop, you know, music designed for you either close your eyes or look at your feet while you sway slowly under a non-aggressive 80s modern rock vocals. Sometime there's even a break and the song goes from sleepy dreamy to catchy upbeat (see: "Show Some Love, When Your Man Gets Home" and "I Left My Love in Nagasaki").
While many songwriters write about themselves, I don't get that feeling with this band as their subjects are all over the place: Asians (Korea, Japan), small-town love stories ("Sadie & Andy"), suburban couple in Germany ("Martina and Clive Krantz"), and Dear John letters ("Sylvie"). Story-wise, it's very diverse and interesting, and I also get the impression that the songwriters, Jesse & Matt Kivel, are also well-read and well-traveled, collecting little stories for their songs.
So, while "Shout it Out", the preceding single, is pretty much a love song, I felt "Sadie & Andy" is a better love song. Actually, the love song is on Andy's part, who longs for Sadie. Sadie, on the other hand, evolved and moved on, while Andy is stuck as a grocery stockboy. The same theme is recycled on "Sylvie", about said-girl who went away, although on this song, there's a hint of humor on the song, especially about the gift of "socks".
While these are sad songs, but I think this song would be great to be heard life - especially with surprise female guest vocalist - such as Amy from Ice Palace (the studio version features Meredith Metcalf on girl-vocals).
If you see the band live, yes, they are touring with Ra Ra Riot, you may get confused about the band members - that's because singer Jesse Kivel is a twin brother of bassist Matt. I am assuming you can pick up their album at one of their shows, if not, you'll have to wait until September 29th to get Cocoon of Love.
09/20/2009 17:28:08 ♥ vu (
) ♥princeton-band.com ♥ myspace.com/princetonmusic
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09/23/09 Ooh La La Festival LA, CA
Discography
09/25/09 Joe’s Pub New York 09/26/09 Maison Française Washington 09/29/09 Empty Bottle Chicago 10/13/09 Club 106 Rouen 10/21/09 Espace Culturel Six Fours 11/25/09 Prince Bandroom Melbourne 11/26/09 Powerhouse Brisbane 11/27/09 Factory Theatre Sidney 11/28/09 Festival Centre Adelaide
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So what's interesting, right off the top, is that the folk-ish band writes and sings in English. I believe most of the songs are written by Daumail, so he also sings on most of the song. His voice is very unique, almost nasally, but you get used to it after a few songs. There are some vocals from Imbeaud, which often sounds very melodic, but unfortunately she's mostly used as backup.
Daumail seems very obsessed with flying - particularly birds (owls, hummingbirds, and vultures). He later sings, "I hate birds" on "Tell Me". Even their poppiest, and I think their best song, is about queen "Owl". The song doesn't really make sense to me, but I know at some point there is a missing treasure in the forest and a bear hunter.
If you like that LSD-ness, combined with what people are comparing the band to other artists like Sufjan Stevens and Nick Drake, then you definitely need to check out Cocoon. Apparently, they have a huge buzz in the UK, having selling out shows across Europe. They are playing some tiny venues in the US, so if you're lucky enough to live in those major cities, check them out.
If you can get around the flash-y Minty Fresh website, I'm sure there are instructions on how to buy My Friends All Died In A Plane Crash. Looking at amazon, I see that it's priced ridiculously at import cost of $38 (hint: used is only $12).
09/20/2009 17:28:08 ♥ vu () ♥ frompandamountains.com ♥ myspace.com/listentococoon
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11/15/08 Mojoe’s Rock House ( w/ Person L) Tinley Park, Illinois
11/16/08 HI-FI Club (w/ Person L) Lakewood, Ohio 11/18/08 Xtreme Wheels Buffalo, NY 11/19/08 Jaggard Ume Altoona, PA 11/20/08 Webster Underground Hartford, CT 11/21/08 Valentine’s Albany, NY 11/22/08 Crocodile Rock Cafe Allentown, Pennsylvania 11/23/08 Loft Poughkeepsie, NY 11/25/08 Maxwell’s Hoboken, NJ 11/26/08 Khyber Philadelphia, PA 11/30/08 Garfield Artworks Pittsburgh, Pennsylvania 12/01/08 Agora Ballroom Cleveland, OH 12/02/08 Empty Bottle Chicago, IL 12/03/08 Slowdown Omaha, NE 12/04/08 Marquis Theatere Denver, CO |
They were also recently appeared on Matt Pinfield's show on 101.9 RXP. You may remember Pinfield from MTV's 120 Minutes. And as of yesterday, the band was on Daytrotter, so basically they are doing all the rounds and people can't seem to get enough of them.
This band is based out of Oakland, California, and only have one four-tracks EP. I did like their song "Awake" and the slower song "New Year's Day", which closes out the EP. The main song, "Turn Me Off" is pretty rocking, kind of reminds me of 90s alternative music. If you like sensitive/sissy music, you'll definitely need to give Audrye Sessions a try.
Currently looks like the EP is only available digitally (ala iTunes and amazon). That should hold you over until their full-length to drop on February 17th in 2009.
Soup wrote this thing:
So I figure since my stack of CD's to review is kind of piling up, and I've been pretty lazy, of late, I would start combining reviews in logical ways. By genre, label, release date, etc. So today, I'm talking about some good old fashioned thrash played by some bands that I think get the idea better than most other bands playing this style of music now-a-days.
On the more hardcore end of things is the new album, Infernal Command, by the bay area's Voetsek. Ami Lawless's vocals range from hoarse shouts to high pitched screeches that bring to mind Nausea's Amy Miret. The band is about as thrash as it gets. Speed is the key here. But while the rhythm section is mostly punk, the guitars stray into metal territory quite often with killer leads wherever possible. Double-bass is used tastefully, which is nice to hear in a band like this. This band thrashes through 17 tracks in about 21 minutes, so this thing isn't for the feint of heart.
Lyrics range from dystopian (“Frozen Heart”) to social (“Self Righteous Fuckdom”) to political (“Bully With a Badge/Somone I Used to Know”) to just straight up goofy (“What Would Lemmy Do?”). I'd recommend this as highly for people who are into things like Municipal Waste, Septic Death, Man is the Bastard, Nausea, XBRAINIAX, or Hummingbird of Death as I would for people who are just into old-school 80's thrash.
They've got a few shows lined up, and they all look like complete “burn down the house” sorts of deals. Lack of Interest and Mind of Asian in particular are sick as hell. Here are the dates, and stay tuned to their MySpace page for more:
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Nov 21 2008 LACK OF INTEREST, MIND OF ASIAN (Japan), VOETSEK, CALIFORNIA LOVE + more @ Gilman Berkeley, CA
Nov 22 2008 LACK OF INTEREST, VOETSEK, MIND OF ASIAN (Japan), SMD, SUMERIAN AXE, TERRORISM in SoCal Boyle Heights, CA
Nov 23 2008 GHOUL, MIND OF ASIAN, VOETSEK, I WILL KILL YOU FUCKER, DR. KILL ’EM ALL @ Burnt Ramen Richmond, CA
Nov 24 2008 VOETSEK & MIND OF ASIAN in Portland @ Plan B Portland, OR
Nov 25 2008 VOETSEK & MIND OF ASIAN in Seattle @ the Rendezvous Seattle, WA
Nov 26 2008 VOETSEK & MIND OF ASIAN in Eugene, OR Eugene, OR
Now onto the second band of this article!
I wish Sweden's Guillotine had sent me a little more info because I know almost nothing about them. But I'll work with what I can dig up! It'll be okay, I promise. They're on Singapore's Pulverised Records now, a label that I pretty consistently dig. They have one other album out. It came out ten years ago. Their sound is relentless, fast-ass thrash metal. Much more of a straight-up 80's thrash metal sound than the Voetsek album, and definitely rooted squarely in metal rather than punk. I'm not sure I get what these guys are all about, since, unfortunately, they didn't include any lyrics, but their sound is great.
The lead guitar work here is refreshingly creative for this kind of metal, with just enough of a classic sound to be familiar, but with some definite influence taken from Swedish melodic death metal (a style I generally don't like, but it works well here). The drumming is classic thrash all the way through, with a little bit of punk influence, but unmistakably metal overall. The songs here are a bit longer, with 12 tracks stretching over 41 minutes, but not one of them wears out its welcome.
And in true thrash metal tradition, this thing includes cover art by legendary thrash metal artist, Ed Repka (who has also worked with such classic bands as Venom, Death, Atheist, and Megadeth). I'd say it's worthy. You might agree. Anyone who digs things like Kreator will probably be into this. So check it out!
I don't see any tour dates for these guys on the internet, unfortunately, but I'm sure they're good and nasty live. So keep an eye on their MySpace page for some new dates.
Loquat was the first of three bands for this Greycoats' CD release party. What's interesting about the Greycoats' set is that they had movies projected as they play. Although it's interesting, I found myself distracted by the moving picture. Each movie is timed exactly to the music, most of it went pretty well, except for the 50s "Day the Earth Stood Still" which ended early because they had cello sound problems. It looks like, according to their official and myspace, that they are going to be tour mates with Loquat... And of course, Loquat played an hour earlier. They started playing shortly after 7:30pm, which is kind of early, so I reckon a lot of latecomers missed them... However, it did look like there were a lot of Loquat fans (and families) in the audience. The main act was Chris Koza (chriskoza.com/myspace), who I was told that I've seen him before, opening up for Jeff Hanson. He had a keyboardist, violinist and the standard guitarist/bass/drums, and I seriously don't remember that many band members at the Hanson show. Koza was easy-going, relaxed even, and the best part was they had carved this Halloween pumpkins the night before and had put them on stage. He named one of them "Luis" or "T___" I couldn't make out the second name over people's laughter at the ridiculous name. So check out Loquat and Greycoats on tour. PS, apology for the white text for RSS readers! |
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10/16/08 Live TV on KARE 11, Minneapolis, MN
Read More
10/16/08 The Cedar, Minneapolis, MN 10/17/08 The Hideout, Chicago, IL 10/18/08 Illini Union Courtyard Cafe, Champaign, IL 10/20/08 Gypsy Hut, Cincinnati, OH 10/21/08 Annabell's, Akron, OH 10/22/08 Red and the Black, Washington DC 10/23/08 The Fire, Philly, PA 10/24/08 Ace of Clubs (CMJ), NY 11/04/08 Bottom of the Hill, SF, CA |
Singer Kylee confessed that she was quite hungover when they recorded the song:
| Kylee Swenson wrote: Mon, Jul 28, 2008 at 1:41 PM |
If you only knew how hungover I was when I sang that Smiths cover. Oh man, it hurt so bad. Thanks for the kind words, We Heart Music. See you guys October 16 when we play in Minneapolis, finally....
I don't know what the big deal is, but they really, really, want to play in Minneapolis! The weather here is getting a little chilly, I recommend a heavy sweater when going out at night.
The cool thing is that they will be appearing on KARE 11, our local station here. I'll have to find the listing hopefully try and tape it.
Anyroad, the album is still somewhat dreampop, with electronica. Swenson's vocals is still sugar sweet here. It's all good though, if you've ever liked female-fronted bands, Loquat should be right up your alley.
Some of the strong tracks includes the first song, "Harder Hit". I'm glad to see that the band also love this song as it is also their promotional music video. The video is based, no, more like inspired, by the French film "Le Ballon Rouge" (The Red Balloon).
Other songs I thought was very strong: "Sit Sideways", which has a funky feel to it at the beginning, but the electronic and piano keys brings it back to a nice rhythmic beat. I mildly smiled at the line "I'm rubber and you are the glue" on "Clearly Now".
Also, check out "These Kinds Of Friends" too. Listen to the first few bars of the song - does it remind you of Nancy Sinatra's "Bang Bang"? Maybe it's just me.
Secrets of the Sea is out now on Talking House Records, where you can purchase the album directly for an even-steven $10. Look for them on the rest of the tour through the midwest and eventually at the monster that is CMJ (they take the stage at 11pm).
Enjoy their video:
Soup wrote this:
Asva is a band helmed by Stuart Dahlquist, formerly of Burning Witch, Sunn o))), and Goatsnake, and recorded with members of bands like Burning Witch, Mr. Bungle, and Earth. You probably don't need to know much beyond that to have some idea of what this sounds like already, but leaving this at a paragraph wouldn't do it justice. Their new album for Southern Records (not to be confused with Southern Lord, who I initially thought was putting this out), What You Don't Know is Frontier, is a sparser, more composed, more varied take on the metallic drone pioneered by Sunn o))), and ultimately, manages to be a pretty damn good album.
The first track, “What You Don't Know in Frontier” (sic), is a Sunn o)))-style drone, sped up, with a very prominent organ in front of it. Noisy, fuzzed-out, feedbacking guitars drift in and out, and give way to atmospheric, Earth-y leads, subtle changes in the rhythm guitar, and so-slow-they're-barely-there drums.
“Christopher Columbus” is built on a subharmonic bass drone that sounds like the movement of the ocean, with cymbal crashes adding a sense of impending doom. Inevitably, the feedbacking guitars come in and drone mechanically over it, sounding something like a doomed vessel lost at sea. Drones are piled on and phased in and out over time. Drums and metallic chugging create a surprisingly rhythmic build-up to slow, actually musical sounding guitar leads.
“A Game in Hell, Hard Work in Heaven” starts out with a clean, contemplative guitar on top of a subtle organ drone. Organs overtake the guitars, evoking more of a sense of hope than anything else on the album so far. Chanting vocals in a language I honestly can't identify come in over sometimes discordant keyboards and an Earth-y lead guitar, which all eventually builds into a meandering climax of sound.
The last track, “A Trap For Judges” is a sprawling, almost 25-minute epic that builds from a keyboard drone up to a strangely hopeful sounding cloud of feedback, keyboards, and the ever-present downtuned rhythm guitar and drums trying to crush it all underfoot. This song turns into probably the closest thing to Sunn o))) these guys do on this album, with the trademark Sunn o))) guitar dynamic, with the “rhythm” guitar stomping around like an angry dinosaur, and the “lead” droning on top of it. The biggest difference is, these guys actually speed it up quite a bit, although still keeping it incredibly slow. It breaks down into an organ drone that builds into a hopeful climax and an awesome ending for the album.
I
can't find any tour dates or anything for these guys, but everything
I've read about their live set suggests that you should probably
actually wear earplugs for once if you catch them. The album is out
today on Southern Records. While I doubt this album will change your
mind if you're not into this sort of thing, generally, fans of Sunn
o))), Burning Witch, or Southern Lord style metal will definitely dig
it. More info can, of course, be found at the band's MySpace page.
Here's a quicky, just because there are some news & notes. Since, you may have noticed, I like doing these theme posts, this theme are one-song submissions.
They are very easy to write about (hey, it's just three minutes of your life!) but because they're based on one song, there's really not much I can write about.
First up, if you have a need to get all the latest music news, check out our announcement page. It's updated nearly every few hours, so news junkies will love this.
Some interesting news to note: watch DIG for free, Skybombers Announces new US Tour Dates, download Jeff Hanson music, and if you're in New York - you guys are so lucky. You could be attending Spiegelworld Festival!
That's just a few items from the nearly 100 post I've made since its birth a few days ago!
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LOQUAT
loquatmusic.com ♥ myspace.com
I actually really love San Francisco's Loquat, so imagine my surprise to find that I have an advance copy of their brand new album, Secrets of the Sea - which is not out until the third quarter of this year. I'm probably not even supposed to talk about it until October, but what I can tell you is that it's very, very good. Just keep your eyes here, or site.w♥m for the latest news. Since I can't unveil any music from the new album, I will tell you that I first discovered her a few years ago when Loquat covered The Smiths' classic "There is a Light That Never Goes Out". Since I was already a huge Morrissey/Smiths fan, it's easy to fall in love with her version... which is a safe and very faithful cover. You can download the song from their flash official website.
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THERESA ANDERSSON
theresaandersson.com ♥ myspace.com
Since I am in love with all-things Swedish, here's a handsome girl called Theresa Andersson. Looking over her press release about her tour dates and the dazzling 700k youtube views. The weird thing is that the press release doesn't indicate any link to the actual video, but if you were curious, it is her playing in her kitchen (in New Orleans?). I was given one of her song, "Birds Fly Away", from her upcoming album Hummingbird, Go! (is that a nod to Thunderbirds Are Go!?) on September 2nd, and I thought it was very 60s pop girl-sounding, but with weird percussion instruments. I was happy to see that Mr Tobias Fröberg is producing her album.
Trust me, this is a girl worth keeping an eye on. |
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THE DARES
thedares.com ♥ myspace.com
Speaking of keeping an eye... Here's The Dares, an up-and-coming power pop trio from California, by the way of Vermont. Maybe I'm just old, but usually this kind of high-energy, on the verge of punk, type of music really isn't my cup of tea. However, I would have to admit this "Love Me When I Leave" is pretty catchy. It's very short, I had to re-play it a few more time to hear how well produced it is. They're currently signed to Zomba Recordings, which is a division of Sony/BMG, so expect a push from them on popular radio this Summer. Even if they don't do much this year, youth is on their side, I'm sure you'll hear from them next year. |
THE SPACE BETWEEN THINGS
myspace.com/thespacebetweenthings
After three version of his "Towels" song, Chris Hobson, aka The Space Between Things finally settled for his perfect version of "Towels". The irony would be if I f-ed up and uploaded the wrong version :/ I'm not given a whole lot to work with here, just one song and no biography. Instead, he directs me to an interview he did at Daydream Generation, which showcase the awesomely snowy Toronto (which means, shock, he's Canadian). Daydream must really like him, as he's also on their Daydream Generation 5 free compilation (over 300mb of music!) So happy downloading and let me know what you think of his song? |
Links:
weheartmusic.com
 Hellapop Festival (May 24th) ♥ Bands: The Definite Articles, Teamawesome!, iji, Tinkture, Hey Three Eyes, The Creepy Crawlies, James Rabbit, Charlie Don’t Surf!, The Paper Orchestra, The Panduhs, Old Hack, Tippy the Vegan, Music from Anteria |
Okay, so I've never been an avid calendar user (too much work!), but lately I've been organizing myself with W♥M Calendar so I know which concert dates to attend and what CDs are being release when. Since I also use Outlook for calendaring, Google does offer Calendar Sync which seamlessly sync both outlook and W♥M calendar (so I can manage offline or online).
I believe the calendar is shared among all the weheartmusic.com users by default (but you can set it to private or "friends only"), so, anyroad, I know someone will be attending Hellapop Festival (May 24). This looks really fun, and I would be there too if I lived in California.
I thought I'd mention two bands doing this festival that I thought looked interesting.
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Tinkture looks like a group of very young ladies, into DIY punk, possibly Riot. I thought "Pyrotechnics" is a very fast and feels very garagey. The vocals has a southern sound to it too. I generally like these DIY punk, as you've probably figured from my various punk articles.
I couldn't help but think of Supergrass's "Alright" when I heard "Farther Away" by Shadow Puppet Theatre. These guys looks very hip and are snappy dressers on top of that. Plus, they seem like they would hang out at all night cafes. They are from Modesto, and consists of singer/guitarist, Adam Bishop, and upright bassist, Jessica Jones.
These are only two of the many, many bands that's attending the Hellapop Festival, so be sure to check them out. That Team Awesome sounds pretty fun, as well as Charlie Don't Surf (which may have stolen their title from Apocalypse Now, but they seem too young to actually have seen that movie - so I vote for Veronica Mars).
Links: myspace.com/popsongromance
www.tinkture.com
myspace.com/shadowpuppettheatre
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So I got this announcement that Rob Dickinson is re-releasing Fresh Wine For Horses a second time. This version will include Nude EP as a bonus second disc.
Now, bands repackaging albums as deluxe or special editions are more commonplace, but they generally fall under a limited time frame, like perhaps an anniversary mark at five or ten years. Dickinson's original release for Fresh Wine For Horses was three years ago, a pretty odd number, but I guess he felt the time is right for another college try and planning on releasing the 2-disc set on June 10th.
The press release said that "End Of The World": "lifts shamelessly from the soundtrack to the British cult movie Withnail & I", a movie I have on Criterion DVD... Which I have to rewatch sometime. But listening to it, is it me, does the intro sounds a little bit like Laura Branigan's "Self Control"?
I have been meaning to do a write up on Catherine Wheel since W♥M started, but I felt that I'm not an expert when it comes to this band because I was so unfamiliar with their large body of work. I even had a massive Catherine Wheel fan make me compilation of their "best of" songs, but have failed to really get into it. I didn't dislike it, but I wasn't really into it, you know?
What I can tell you that I first came across this band with an edited version of "Black Metallic" from MTV's 120 Minutes. This was at a time when they were grouped (unfairly, I might add) with the shoegazing 4AD-type sound at the time.
After gaining a somewhat massive attention from the States with "Black Metallic" and "I Want to Touch You", I was fortunately enough to catch them on tour early in their career. The thing I remembered from this concert was the tiny elongated venue, the now-defunct Cadillac Club, in Fresno, California. They also made use of a smoke machine, which looked pretty awesome with lights. They also did an extra long 15 minute rendition of "Black Metallic", which I believe was the last song of the encore.
Although I wouldn't call myself a huge fan, I did like them enough to pick up Happy Days and Wishville on Yahoo Auction for about the cost of shipping, adding to my random collection of Catherine Wheel singles and promos.
Trivia: I just found out that Rob Dickinson's cousin is Bruce Dickinson, lead singer of Iron Maiden! Both Iron Maiden and Catherine Wheel are medieval torture devices.
Links:
myspace.com/robdickinson
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I was once watching Henry Rollins talk about meeting William Shatner for the recording of “I Can't Get Behind That” from his album, Has Been. In the story, he recalls the Shat asking him, “Henry, do you hear a guitar?”
His reply: “No, but I hear a high pitched whine in my right ear since 1982.”
This quote kept replaying itself in my head as I watched The Sword and Slough Feg destroy the Neurolux in a way that would make Slayer proud, and now I'm hearing it loud and clear despite the high-pitched whine in my own right ear. While Children dropping off the bill was rather disappointing, it gave the other bands much longer sets to work with, making the $10 cover more than worth it. Both bands played for roughly an hour, and didn't let up for a second.
San Franciso's Slough Feg (formerly The Lord Weird Slough Feg) is a band that started life in 1990 in Pennsylvania. Their sound is a more traditional, hard rock style of metal with a doomy edge. Vocalist/guitarist Mike Scalzi spent as much time standing on the floor monitors as he did standing on the stage and the band ripped through their set with more energy than most bands half their age. Between songs, Mike asked trivia questions and threw records to the people who answered them correctly. He also seemed to be all about posing for pictures whenever he saw a camera. The band sounded tight, and were a lot of fun. Definitely worth catching on their own.
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But the crowd didn't really start going nuts until The Sword went on. The Sword is a much younger band, formed in Austin, Texas in 2003. Their sound is more on the “thrash” end of doom metal, with riffing reminiscent of early Metallica, guitar solos worthy of the same, and enough sludgy breakdowns to keep any doom junkie nice and happy. They didn't have quite the stage presence of Slough Feg, but they made up for it with sheer intensity and speed. The band was in excellent form, with top notch guitar heroics taking the center stage. The drunken crowd ate it up. I ate it up sober. My neck is still sore from headbanging. These guys are one of the most important touring metal bands right now, and it's easy to see why. They can work a crowd effortlessly, and there are few bands at the same level of technical skill playing this kind of music right now. This band is going to be huge by the end of the year.
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Both
of these bands are still on tour. Unfortunately, Slough Feg will only
be playing with The Sword for two more shows, in Salt Lake and
Denver. The Sword is touring through July, including an east coast
tour with Torche and Stinking Lizaveta, and then a European tour with
Metallica! I can't emphasize enough that this band is about to be inconceivably huge,
so catch them in a tiny club while you still can!
Apr 26 : Denver, CO - Bluebird Theater w/ Slough Feg & Children
Apr 28 : Wichita, KS - BarleyCorns w/ Children & Black Gasoline
Apr 29 : Oklahoma City, OK - The Conservatory w/ Children & Those Peabody's
May 09 : Fort Worth, TX - Lola's w/ Torche, Stinking Lizaveta
May 10 : Memphis, TN - Hi-tone w/ Torche, Stinking Lizaveta
May 11 : Nashville, TN - Exit/In w/ Torche, Stinking Lizaveta
May 12 : Covington, KY - The Mad Hatter w/ Torche, Stinking Lizaveta
May 13 : Detroit, MI - The Magic Stick w/ Torche, Stinking Lizaveta
May 14 : Columbus, OH - Ravari Room w/ Torche, Stinking Lizaveta
May 15 : Washington, DC - Rock and Roll Hotel w/ Torche, Stinking Lizaveta
May 16 : Philadelphia, PA - First Unitarian Church w/ Torche, Stinking Lizaveta
May 17 : Brooklyn, NY - Music Hall of Williamsburg w/ Torche, Stinking Lizaveta
May 18 : Boston, MA - Middle East Downstairs w/ Torche, Stinking Lizaveta
May 20 : Raleigh, NC - Lincoln Theatre w/ Torche, Stinking Lizaveta
May 21 : Savannah, GA - The Jinx w/ Torche, Stinking Lizaveta
May 22 : Tallahassee, FL - The Beta Bar w/ Torche, Stinking Lizaveta
May 23 : St. Petersburg, FL - State Theatre w/ Torche, Stinking Lizaveta
May 24 : Orlando, FL - The Social w/ Torche, Stinking Lizaveta
May 25 : Gainsville, FL - Common Grounds w/ Torche, Stinking Lizaveta
May 26 : Atlanta, GA - Lenny's w/ Torche, Stinking Lizaveta
May 27 : Birmingham, AL - The Bottle Tree w/ Torche, Stinking Lizaveta
May 28 : Baton Rouge, LA - Spanish Moon w/ Torche, Stinking Lizaveta
May 29 : Houston, TX - Rudyard's w/ Torche, Stinking Lizaveta
Jun 12 : Manchester, TN - Bonnaroo Music Festival w/ Metallica & many more...
Jul 16 : Bergen, Norway - City of Bergen Festival w/ Metallica
Jul 18 : St. Petersburg, Russia - SKK Hall w/ Metallica
Jul 20 : Riga, Latvia - Skonto Stadium w/ Metallica
Jul 22 : Bologna, Italy - Parco Nord w/ Metallica
Jul 23 : Bucharest, Romania - Cotroceni Football Stadium w/ Metallica
Jul 25 : Sofia, Bulgaria - Levski Stadium w/ Metallica
Jul 27 : Istanbul, Turkey - Inonu Stadium w/ Metallica
More info:
-Soup
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