2 posts tagged “albums”
Top 5 Albums of 2008
I wrote in my blog (I blog) the other day about my frustration with making “top” lists (even though I had made the suggestion to Vu). Music, like any art form, is so openly subjective that any attempt at creating a definitive “best” list is hopelessly, well, hopeless. So I present to you my purely personal Top 5 of 2008 compilations. Take it or leave it (but please take it, and love me too).
1. Beach House – Devotion
Their first album was nice.
Occasionally heavy-lidded and aimless (as in, the mind wanders when
listening), but nice, certainly a curious take on dream pop. Then Devotion
came out and it was like Beach House even further demented the dreamy stargaze domain,
in, you know, a really, really attractive way.
With Victoria’s
sad, velvet voice (not at all, never ever cute,
for godsake), the off-putting pace, the hollow beat, the moodiness, the
sometimes romantic/sometimes painful lyrics, the harpsichord, that Daniel
Johnston cover…it just works. How often do all the pieces fall into
place? It may never happen again. Enjoy, Beach House.
2. The Raveonettes – Lust Lust Lust
So the Raveonettes are getting fuzzier and less defined, and moving further from those neo-noir 60s Phil Spector-inspired melodies into darker territory. Darker, louder territory. Like, seriously loud. I’d probably be less impressed with this album if it wasn’t for the sheer enormity of sound. Every song has a kind of feverish build-up; by the end it’s bye-bye future hearing, hello creepy weird aural enlightenment, or something.
3. Stephen Malkmus & The Jicks – Real Emotional Trash
What I like about Real Emotional Trash is that it combines the best of the Pavement core—bizarre/absurdist lyrics and sprawling noise/extended “jammin’/freak deaky guitar rifts. This album sounds very Malkmus; it isn’t the work of a middle-aged rocker desperate to fit in one last reinvention and prove to the twenty-somethings that he’s “still got it.” No, Malkmus hardly seems concerned with too much change; he may choose different directions with each of his solo albums, but there’s always a comfortable familiarity. (And, for the record, he’s definitely still got it.)
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4. Santogold – Santogold
Let’s just get the obvious out of the way: yes, she reminds you of M.I.A. Sure, Santogold sings through her nose, loves a crazy beat, and is scarily supa fly (intimidating to the average-looking), but if you actually listen to her album you’ll realize that she ain’t no M.I.A. Which isn’t to say that Santogold ain’t fabulous. Au contraire, it’s perfect downtown club music (for the mild, hip and white). You can bump, grind, convulse, jump, rapidly move your hands in front of your face, remain mostly still while nodding your head, twirl, whatever. Also, with the absence of any kind of political message you don’t even have to pretend that you care about real things.
5. The Magnetic Fields – Distortion
What an aptly titled album. I’m found of aptly titled things. I wish Animal Collective and Xiu Xiu would take note and start naming their albums “Weird Crazy Things That Sound Like Woodlawn Creatures and Kitchen Utensils.” It would be convenient for writing reviews. Anyway, Distortion is Stephen Merritt doing distortion, which means fuzzy, drone-y guitar that lovers can still swoon to, and sad/silly lyrics like “sober, you’re old and ugly; shit-faced, who needs a mirror” (“Too Drunk to Dream”).
Top 5 Songs of 2008
1. Beach House – “Heart of Chamber” (Devotion)
Honestly, I could have chosen any song from Devotion, but “Heart of Chamber” is the one that gives me the strongest heart palpitations (like remembering a teenage night that never happened). As I said before, it works, and who needs solid logic?
2. Beck – “Walls” (Modern Guilt)
My relationship with Beck is similar to my relationship with thrift shopping: 99% of the time I leave the store irritated and resentful; however, maybe once a year I find something absolutely stunning, like amazingly, disgustingly perfect that I forget about all the previous disappointments. “Walls” is my disgustingly perfect gold lamé romper that I will never wear again.
3. Okkervil River – “Lost Coastlines” (The Stand Ins)
Apparently there are (self-proclaimed) straight men out there that would “go gay” for Will Sheff. Who knew. I cannot make that same declaration, but I will say this: Jonathan Meiburg’s voice keeps me comfortably heterosexual.
4. Benoît Pioulard – “Brown Bess” (Temper)
His name is Tom (hint: he’s not French). Tom taps into those same otherworldly arrangements that Zach Condon used to convince hipsters that foreign music could be edgy too. “Brown Bess” is just too pretty to ignore. I don’t know what he’s singing (it’s in English; he mumbles, I selectively listen), but similar to hearing a beautiful French phrase, do you even care?
5. Lucinda Williams (ft. Elvis Costello) – “Jailhouse Tears” (Little Honey)
The whole album’s kind of a mess: a few old-school bluesy ballads, some terrible angry rockers, and a truly frightening AC/DC cover (Lucinda, no). However, this duet with Costello makes me smile because I think Lucinda’s being a bit cheeky, no?
Top 5 Bands to Think About in 2009
1. Sybris
What: Anti-twee
indiepop
Where: Chicago, IL
Think about: “Oh
Man!” (Into the Trees, 2008)
More! http://myspace.com/sybris
What:
Halloween-voiced lad + pop music + geek beats
Where: St. Louis, MO
Think about: “Gamble”
(Classy Entertainment EP, 2008)
More! http://myspace.com/jumblingtowers
3. Alina Simone
What: Folk/punk
Where: Brooklyn, NY
Think about: “Half My
Kingdom” (Everyone is Crying Out to Me,
Beware, 2008)
More! http://myspace.com/alinasimone
4. The Pharmacy
What: Dirty rotten
indie rock
Where: New Orleans, LA
Think about: “Little
Toys on the Shelf” (Choose Yr. Own
Adventure, 2008)
More! http://myspace.com/pharmacy
5. Doomtree
What: White-friendly (read: non-threatening or “not too ghetto”) “smart” hip-hop
Where: Minneapolis, MN
Think about: “Dots
and Dashes” (Doomtree, 2008)
More! http://myspace.com/doomtree
Note: Doomtree is
extremely popular within their home state of Minnesota, but have they crossed the
border? Let me know.
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There are a ton of album releases today! Here are the ones that might interest you:
The Mars Volta - The Bedlam In Goliath
From the ashes of At the Drive-In, The Mars Volta releases their fourth album, The Bedlam in Goliath, today.
There's a bunch of "exclusives", so for die-hard fans, you will have a very tough time tracking down all the extra bonus tracks.
I know that Best Buy have an exclusive 2nd live disc and if you got your CD from Japan, it comes with a DVD and a cover song of The Sugarcubes' "Birthday".
Their version is very... er.. very strange. I have to say "good try" though.
Chris Walla - Field Manual
Ceji previously wrote the review for this album, I suggest you read it if you're at all interested in Death Cab for Cutie.
There's not much to add, except that there is a limited edition (with a bonus CD) and as pointed out by Dale, you also get a couple of extra songs for downloads.
Description from Barsuk:
Available in two versions: Standard digipak cd package, or limited-edition deluxe clothbound cd package. Both come with a 32-page booklet featuring Chris' original photography.
SPECIAL LIMITED-TIME OFFER: Order by February 4th and get 3 non-album MP3 bonus tracks!
Shelby Lynne - Just a Little Lovin'
There's a few country albums released today, but since I don't have Willie Nelson's A Moment of Forever, I'm just going to talk about Grammy-Winner Shelby Lynne's Just a Little Lovin'.
Her 10th album is an all Dusty Springfield cover album. I take it back, there is one original song on here, it's called "Pretend". This song is written by Shelby Lynne and is mostly acoustic... in the same vein as her Dusty covers.
I love the album artwork, I think it may have been inspired by the live album Dusty in Memphis.
If you get the Best Buy digipack version as it comes with a bonus DVD with two live songs.
Louis XIV - Slick Dogs and Ponies
The only thing I know about Louis XIV is that all their songs are about drugs and sex. Right?
I'm glad to see that their latest release does not feature old porno images, instead you get darken green pictures of the band (I think).
Anyway, according to wikipedia: There's a Traitor in This Room is the lead single for the album, but I couldn't find evidence of this anywhere. It's not even available on the US iTunes store. By all accounts, it looks like Guilt by Association is the single.
Xiu Xiu - Women As Lovers
You may have remember seeing the disturbing album artwork for
A Promise. Trust me, it's an image you cannot unsee.
Their cover of Tracy Chapman's "Fast Car" is also equally as disturbing.
Anyway, I haven't listen to Women as Lovers, but I noticed that they did another cover on the new album. This time it's Queen's "Under Pressure".
This version is actually pretty good, I wish it would utilize more of that awesome bass that Vanilla Ice took advantage of.
Joe Jackson - Rain
Don't forget that the CD/DVD combo album Rain by Joe Jackson is released today! It looks like I may have to review the album as Ryan is computerless.
Besides from from the awesome DVD (please see my review), the album is reminiscence of his popular Night and Day album. Joe Jackson returns to his piano-driven music, which I'm calling the Joe Jackson Trio (all jazz trios are named after their pianist).
Listening to the album, I was drawn to "Rush Across The Road", a song about seeing a complete stranger and wanting to rush over to her to get to know her. It's very easy-listening reminds me of a more optimistic version of the very bitter Positively 4th Street.
Jackson's ability to tell stories in short pop/jazz songs can also be heard on "Invisible Man" which I think is about a famous person slowly fading into obscurity.
Like most of his songs, it's open for interpretation.
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01/29/2008 17:24:35
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