News: Pitchfork Music Festival 2008

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Yeah. Dinosaur Jr. got back together like... last year, year before. Somewhere in there. The new album is really good, too!

Times New Viking are also great. Best album so far this year!
Good gods...I knew Pitchfork has massive issues when it comes to musical taste: rarely have I read any of their verbose and oftimes infuriating reviews without immediately saying, "These dumbshits didn't even listen to the album, did they?" But that "free sampler" lineup is so unbearably bad it's not even worth downloading--and do you know how much it takes for me to refuse free music?! The Mission of Burma and Cut Copy tracks are great, but the rest...? Dizzee Rascal has so many good songs to choose from and they offer up "Sirens," which sounds like it was recorded in someone's toolshed?

I think I may have a new mission in life: to singlehandedly expose Pitchfork Media for the slackjawed industry mouthpieces they are.
Tell us how you really feel ?
Haha.
What do you think of stereogum ?

BTW, I don't think they had a hand in picking the songs? I could be wrong, but the way a lot of these works is that the record label or PR company usually pick the song to give away.

I think it's pretty amazing they could pull something like this at all :)


[this is good]

génial : merci beaucoup pour l'information

Amitiés :)

Oddly enough, I have not checked out Stereogum at all. In fact, this is one of the very few music blogs I read, primarily because A) it's incredibly diverse and therefore awesome, and B) none of the W(heart)M folks seem to have an industry agenda to push. I like reading people's honest opinions, not opinions that are determined for them by their website's agenda or (even worse) their "image." Pitchfork Media exists to promote an image, not to provide straightforward music reviews. After all, the site actually proclaimed Li'l Wayne to be "the savior of hip-hop"...or some such manifold bullshit. Li'l Wayne, for the love of the Other Gods? Somebody needs to beat their entire editorial board senseless with a copy of Atmosphere's When Life Gives You Lemons, You Paint That Shit Gold.

As to who is in charge of picking songs for a comp...well, who knows, really. Whoever chose these particular tracks, and the particular bands, needs to expand his/her/its horizons stat.

I'm not particularly impressed with large festivals like this. Lollapalooza and SXSW prettymuch ruined the concept of gathering together hundreds of bands by having them all play at the same goddamn time--and charging entire organs for tickets. These days, all I do is go to small local shows where I can actually meet the bands and hang out with them.
I agree, I prefer small venues over massive gathering (where often you are watching the performance on a SCREEN and the performer is a tiny ant on stage.

re: Atmosphere, it's funny you should mention him because he's from Minneapolis (my hometown) and I generally don't listen to hip-hop, but he's pretty decent although I always think of him as "local". He's huge everywhere.

BTW, I hate the word blog and whenever people ask about this, I don't tell them it's a blog. I've always envision it as a fanzine (I used to make fanzines back in the day), and I treat all the articles as if it's made for print. Check out some random pages: 11 and 5. Eventually when I have a lot of time, I want to look into formatting articles for print.
I don't get all the hate for Pitchfork. It seems almost trendy to talk smack about them, regardless how much water the criticisms hold. I mean sure, a lot of their album reviews are ridiculous (see the one for Orange Rhyming Dictionary by Jets to Brazil as a classic example - record review fanfic?), but I've also discovered a lot of things I've liked by reading them, whether or not I always agree with them (for example, I actually like Joan of Arc).

I mean, there are definitely worse music sites out there. And Pitchfork does cover some pretty diverse stuff, even if it what they emphasize does seem to follow industry trends (it has to; that's what keeps it popular enough to continue operating the way it does). The fact is, they probably get more weird underground releases to cover than probably any other site on the internet. I'd say it's my favorite music site just for that reason. With a little digging, you'll find a lot of cool stuff to listen to on their site. Stuff that WHM would probably never get sent directly, and stuff I'd have never heard without Pitchfork's prompting.

Just my 2 cents.
Oh and by the way, I've got reviews of Mahjongg coming up, and that Times New Viking album if no one else wants to do it (hey Vu, is anyone doing that one? 'Cause if not, I am, since I've already got the record/free download that came with it anyway!)

Oh, and if I actually remember my camera, I'll try and cover the Dodos show coming up here.
It's all yours. I actually like the Times New Viking album, but I won't have time to write about it.

I think the next one I want to talk about is The Boy Bathing, that was surprisingly really good (randomly showed up on my "recently added" music playlist).
What's that one like?

But yeah. TNV is great. I really love how half the people who listened to it because Pitchfork liked it hated it. It just reminds me of the "indie rock" of old, where it was perfectly acceptable for recordings to have tons of intentional (or otherwise) tape hiss all over them.
I dig fanzines. A friend of mine puts out an awesome 'zine for the goth-industrial scene in Pittsburgh called The Burnt Library which is just fantastic--especially since he's been expanding it beyond merely the G/I stuff and has started getting into all sorts of avant-garde, IDM, and Just Plain Weird music as well.

I'm not a big fan of the word "blog," either, as I was trained in writing for print, and approach everything I do from that standpoint as well.

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